The Research On The Shizan Spoken In The Drama Of The Yuan Dynasty

There is a lot of Shizan in the drama of the yuan dynasty, the Shizan spoken sets thestylized presents the obvious characteristics, study of the Shizan spoken in the drama of theyuan dynasty is very significance to explore the creation subject of the Spoken in the drama ofthe yuan dynasty, the meaning of the Spoken, and the overall program of the drama of theyuan dynasty. This paper, from the "Shizan" of the form of the concept, discusses thestylization characteristics of Shizan spoken in the drama of the yuan dynasty, and byextension to the stylization problem of the drama of the yuan dynasty.The first chapter basically comb Shizan the source and praise form."Shizan" is a wordfor the first YeDeJun "Ming speech literature", investigate its form, is by the native "Zan" andthe external buddhist scriptures of the "Jizan" influence each other, development and become."Shizan" praise from Zan and Jizan the characteristics of the auxiliary function, Qiyan, andmusical sound come loose union. Based on this, we give praise the definition of the Shizan:the so-called "Shizan" is the heptasyllabic verse10words, certain, etc Qiyan sentence is givenpriority to, in the article described the auxiliary role play a rhyme. This kind of auxiliarynarrative function mainly includes, for one, part of a summary of the prose; Secondly, part ofprose added; Third, pay attention, mentioned below. And from the function and form willpraise Shizan and "rhyme","poem" to distinguish.The second chapter, we classify the Shizan spoken in the drama of the yuan dynasty incontent and position. The Shizan spoken in the drama of the yuan dynasty mainly distributedin the beginning, end and the specific location; Mainly express self introduction, thedescription, sums up the above situation, such as the content of the fixed; The frequency,Shiyan is given priority to Qiyan,there are a few Siyan, Wuyan, Liuyan.The third chapter discussion the stylization problem of the Shizan spoken in the drama ofthe yuan dynasty and the stylization problem of the drama of the yuan dynasty. The Shizanspoken in drama of the yuan dynasty has the obvious stylized feature sets: from the form,distributed mainly in the beginning, end and the specific location, follow the basic form ofseven-words words; From the function, the Shizan spoken in the drama of the yuan dynastysets the Shizan auxiliary function, to repeat and due tip the song words, scattered spoken. The stylization of the Shizan spoken in the drama of the yuan dynasty is the performance of theprogram of the drama of the yuan dynasty, from this angle to discusses the meaning of thespoken, we have new propulsion for the point of "sing give priority to, spoken for penn". Atthe same time, because of the drama of the yuan dynasty has the characteristics of stylization,to the creation subject, we have a point of view that, the spoken is mainly creat by literati, theactor pit one against ten,use the model in a fixed position, and moderate modification. So, wehave a conclusion:Song, Kefan, Spoken, all three kinds of comprehensive program sets.