The Research On Wang Zengqi’s Drama

Wang Zengqi wrote 12 plays, although small, but his explore consciousness was extremely strong. First, he inherited traditional classical opera in drama form. He tried to render classical story motif and paid attention to the story of the legendary color;on the one hand, he followed traditional endorsement body narrative drama, on the other hand, he inherited the traditional opera point line structure. In the end, his plays in the story form and discourse form reflected on the return of the ancient Chinese opera culture.Secondly, Wang Zengqi’s drama creation also embodied the modern style. He properly absorbed modern drama form of discourse, abandoning the classical opera role system, changing the ending of reunion; he took the super class, super gender perspective of to write women, and showed respection for women; in addition, he was deep in thought the problem of modern man, written in line with the modern aesthetic taste of drama.At the same time, Wang Zengqi reformed the China opera with literati playwright identity. He sorted out the old opera impassability liberal arts content, paid attention to the plot of the integrity, coherence; he also drama active crossed genre experiments,novels, prose, poetry into writing to the drama; his attaching importance to the script literariness, raised drama literature connotation. but on the other hand, in fact caused by the contradiction between his literary temperament and the public aesthetic taste,his drama really came on stage only a few department.The more than 40 years course of Wang Zengqi’s drama creation process was his exploring the Chinese dramatic improvement of the road. His exploration was based on the understanding of Chinese Drama(including opera)’s situation. He tried to reform the China drama in his creation, but this way was very difficult.