Lost-Chinese Contemporary Female Artists And Works Relfected The Raw Emotion

In China, the development of contemporary art in the process of gradually, female art hasrelatively independent space of development. Female artists in the creation in the process ofbecoming aware of the importance of self existence. In the past, China has a long history infemale position and gender relations and inequality. This is not only their own reasons, butalso social causes. In nineteen ninties began, they begin to consciously self-awareness,self-reflection, begin to explore their inner most true to the original emotion, they describethemselves and their people and things around, to stimulate themselves as female pureemotion experience. This time, they in the art of this road is also taken a small step, a littlesuccess, they not only to find a as a way of human existence, their works with their uniqueperspective different reveals many social problems, when they works with the male art iststogether in the exhibition site, the sensation is unprecedented, also caused the art circles andeven the widespread attention of social all circles. During this period, China appeared a fewfemale artists: Liu Manwen, Yu Hong, Yan Ping, Shen Ling, Wang Nanfei, Xia Junna, theirworks are mostly to themselves and their surroundings relationship (such as familyrelationships, sex etc.) as the breakthrough point, put his personal experiences and feelingsconsciously to picture form truthfully expression, presented to the audience, let people to feelfrom the women’s inner emotional outbreak, also let us see the Chinese contemporary womenlook at the unique angle of view, this in the Chinese art development is unprecedented.Achievement is not surprising, also cannot say is good enough, but this step is to fill the gapsin the history of women in the arts, also fill a blank in Chinese history. As the Chinese femaleart for the development of Chinese art development opened up a new path and inject newvitality.