The Research About Feminine Angle Of View In Chi Li’s New Historical Novels

Since the new era, writing history is a creative trend.Chi Li joins this creative trend from female standpoint.she looks at history and writes history in female perspective and ideas of female history. "You are a river","premeditated murder", "gazing", "Blood Sunset" are four typical texts to show her unique life experience and concept. This thesis does a research about the historical narration from the perspective of women, the thinking of the existence from female perspective and the aesthetic dimensions and tragic implications with the female view.The first part mainly discusses that Chi Li carefully shapes the female images with the selection from a unique perspective, and shapes ugly male images as the contrast, showing a history that female subject are obscured. Chi Li builds Mian Township as a carrier, in order to construct a fictional narrative background with deconstruction significance, and show her demand for historical language.During the narrative process of the new historical novels,on the one hand,Chi Li describes the whole history in the common conversion relationships with characters.On the other hand,she expresses the unique female perspective and historical ideas through the characters’behavior or the thread of story.In addition, the text reaches deconstruction of historical inevitability in occasional narrative, achieving multiple meanings of deconstruction.The second part analyzes Chi Li’s new historical novels’exploration for the existence of individual life and the value of life from female standpoint. Therefrom,the text specially describes her thought of personal existence from three aspects,such as the female individual existence,the male individual existence, the existence among sexual relations. Historical texts written in a variety of forms of female individual existence, on the one hand they reflect the women existence’s individuality under different space-time and quite different experience made choice by women under historical background,on the other hand they reveal the multi-probe test of the female consciousness in the creation,consequently seeking for various possibilities of establishment and recognition for female self-consciousness, making women better understand themselves, and then further thinking about how women could exist and how women could better exist with instructive meaning and value. Conversely, Chi Li builds a different male world from female perspective, presenting male existence with a state of decline or gray to deliver male weakness, contrasting a female world full of bright. The author also explores the sexual relations by contrast to find out heavy or light way of the women and men existence in different historical positioning, having important meaning during the course of female liberation,that is seeking that women’s self-existence is not on the premise of the failure of men,on the meantime, the presence of men is also not based on the women’s sacrifice,so as to achieve sexual harmonious in a reasonable way.The third part focuses on secularized aesthetic tendency and individual tragedy connotation of Chi Li’s new historical novels. Secularized aesthetic tendency mainly reflects that Chi Li tries to show the true survival of small potato in historical scenes and achieves understanding and criticism of history; she makes specific narration with the popularized and colloquial language; she adopts head-up narrative perspective combined with the sensitive and delicate experience of women. She writes Chinese domestic_and historical scenes in the attitude and way that refused the violent, which makes the aesthetic tendency of her new historical novels deepen contrasted by the new realism novels. The new historical novels present the life phenomena of characters in different historical scenes.Starting from the characteristics of human life, Chi Li analyzes the survival state of figures ontology and rethinks the tragedy of the individual existence, so as to explore the thinking of the individual survival plight and tragic fate. The novels depict troubles in the survival reality included plight of self-realization, love crisis, the deconstruction of "mother" myths survive reality troubles with the tragic fate of individual, serving as a foil to the multiple survival truth under the plight of human existence and tragic fate subject to accidental history, developing the tragic value of novels.The conclusion discusses the reasons that Chi Li’s new historical novels don’t get the boom, to further demonstrate that feminine writing not only carries the task to construct female culture and fill the female historical writing, but also charges the aim for improving the situation of women survival and seeking self-development.