The Research Of Inner Mongolia ErRenTai In Anthropology Of Art

The duet is composed of Mongolian and Chinese two nationalities long-term exchanges,cultural collision between the performing art form, is the Mongolian and Chinese group twocultures. It is popular in the Inner Mongolia Autonomous Region as well as Hebei, ShanXi,ShanXi and several other provinces within the scope of local operas. Errentai art through thehistory of a long time development, the accumulation of repertoire of nearly100. Folk songs,opera," set of rap, folk dance, instrumental performances form as a whole, to gold, Hur, theaccompaniment of musical instruments, is a comprehensive variety of folk art. Explain thedistinctive style of music, full of local color, the main activities in the urban and rural sociallife. On the artistic form, Inner Mongolia and northeast song-and-dance duet is similar, butfrom a historical point of view, the duet Errenzhuan more than long. But it is such a profoundcultural heritage of Errentai music but was not able to get rapid development, even facing theembarrassing situation of no inheritance.This article is from the perspective of Anthropology of art, the Inner Mongolia musicalinstrument of the Anthropology of art as a research object, through to the two source of flow,the phenomena of musical culture, development of the cause and protection of heritage andother aspects of the research, analyzing the musical instrument in Inner Mongolia ’s history, aswell as the heritage protection to be us to solve the problem.This thesis consists of three parts, the first part of the introduction, the main topics of thereasons, background, the purpose of the study and explanation of the main object of study.The second part of this theory is divided into three parts, first at the start of this articleoutlines the musical instrument of the historical origins and the appellation of origin, throughits musical composition, singing, Paizi, music features and other aspects of research,understanding of the formation and development of the musical instrument. Secondly, thesecond part of the article through the art anthropology angle of view of" cultural phenomenon,understanding its nationality and folk, Inner Mongolia cultural characteristics of" influence, aswell as the song and Inner Mongolia culture integration in order to get the reason ofdevelopment. Finally the third part of the article from the implementation of its protectionpurposes, the achievements and the problems existing in the present stage proceed with,solve" in today’s society to develop the problem that faces, third is the conclusion of two partsof comprehensive," research in making art from the perspective of anthropology summary,"the tradition has not lost, although its development has absorbed many of the modern form ofexpression, but the tradition is still" the body ’s blood flow. In its protection measures is alsothere are many problems, but the traditional art can not be discarded, the musical instrumentdevelopment also needs us to pay more attention to.