The Analysis On Decorative Art Of The Grave-brick Paintings Of The Period Of Wei-jin Dynasties In Hexi Corridor

Portrayal bricks, also called brick-paintings, or known as mural bricks, are theimportant image decorations of the walls for the ancients to construct ancestral halls, coffinchambers, stone-doors and so on, which began at the late warring states period, were in voguefor a lavish funeral in Han Dynasty, Innovated in the time of Wei-Jin southern and NorthernDynasties and widely spread during to the period of Sui, Tang, Song and Yuan Dynasties.Most of the mural bricks are one brick bearing one painting, succinct in drawing and vivid inimage, Most of the grave brick of Wei-Jin Dynasties in Hexi Corridor mainly scatter overthe municipalities of Jiayuguan, Jiuquan and Zhangye and Gaotai county, and other places, asin the geographical appearance of Hexi Corridor,the distribution of the group-grave brickpaintings of Wei-Jin Dynasties in Hexi corridor also presents the charateristics of long,narrow, belt and scattered places. The brick paintings of Wei-Jin Dynasties of hexi Corrdorsystematically reflect the contents of politics, economy, culture army, customs science andtechnology. etc. of the period of wei-Jin Dynasties.The paintings are mainly based on Chinesetraditional painrealistically style, and take account of the style of painting realistically orexaggerating. The time of the birth might be ahead of Dunhuang Mogao Grottoes. The articlefocuses on the purpose of the research and its meaning, and takes investigating comment andselecting topics as the starting point, mainly analyses comprehensively a great varity ofdesigns, colours, figures, themes, models, decorations, etc.of the grave brick-paintings of theperiod of Wei-Jin Dynasties of Hexi Corridor.We should use the rules of formal beauty of decorative paintings of change and unity,symmetry and balance, rhythm and rhyme scheme, contrast and harmonious to analyse andexplain the decorative character of the grave brick-paintings of Wei-Jin Dynasties of hexiCorridor.we from the view point of model of decorative paintings, analyse handling of thedecorationization of the grave brick paintings of Wei-Jin Dynasties of hexi Corridor,i.e, turnthe objective into the subjective, turn the three-dimensimal into plane, turn paint realisticallystyle into exaggerating style, turn the miscellaneous into orderlineness, turn the simple intothe abundant, and turn the handling rule of the decorative model as a natural ideal one: That isto analyse concretely the brick paintings from the view point of the essential rule of thedecorative design, from balance and symmetry, from symmetry and echo, from entirety andharmonization. Comparing and analysing the differences and similarties of the themes, design,materials, materials, models, artistic medium and the other of the paintings of Qin and HanDynasties, we have known clearly that the grave brick paintings of Wei-Jin Dynasties of hexiCorridor inherited the drawing artistic style, we carried out an intings of Wei-Jin Dynasties ofhexi Corridor inherited the traditional culture of han Dynasty and continued to the drawing artistic style, we carried out an investigation for the purpose of making the grave brickpaintings of Wei-Jin Dynasties of hexi Corridor serve as the model of modernDecorative design,and pointed out that the grave brick paintings of Wei-Jin Dynastiesof hexi Corridor had the culture and the outstanding characterier fortress, agricultural cultureand the outstanding charateristics of multinations, The design of the decorative art should bein accordance with natural tendency, Decorating the environment, beautifying “life” which isthe principal of the decorating design, should conform to the mainstream artistic concept ofthe time of Wei-Jin Dynasties displayed from the grave brick paintings of Hexi Corridor. Theold Hexi art of the ancient times can be discovered, drawn for relevance and used in modernsociety.