"Oriental Girls"

In Chinese nation (opera) and other vocal works, the shape and performance of the women’s role, especially the role of numerous women heroine, differ from the pattern of the main male role and Western opera and form. By these Works, one by one distinctive "Oriental girl" for the people to shape or glamorous, or loyalty and courage,or the heroine with Clementine image, people may feel love and affection, admirationstill ran. As modern revolutionaries, the heroine Qiu Jin’s poem called "Do not say that women are not heroines, the songs penetrate in night after nigh!" At the same time, people’s aesthetic form the subject of such national Creation and Performance of vocalworks, social and cultural life in China as well as the vocal cultural development of the abyss and high aesthetic significance.Combined with the shape characteristics of the female characters in these works,not only from the professional point of view, but also in the long river of history, standing in the community as a whole context of a comprehensive analysis from the manymulti-angle, revealing women heroine image shape for inspiration and meaning of thecreation of the National Opera, both humane return and expression, but also an extension and expansion of the values and aesthetics.The article is divided into five parts:Preamble: expounded the significance of topics in this article, the innovation of this paper and literature review of articles.Chapter1: the shape of the female characters in the national vocal overall analysis of the characteristics summed up the three main features.(1) gender identity in artistic expression dilution;(2) with the common feature of all revolutionary heroes, that isengaged in wars of self-consciousness and a lofty realm of thought, death-defying heroism, wise and brave individual capacity;(3) the creation of national opera art features.Chapter II: specific reference to the shape of women heroines’ image in the national vocal representative of the four operas-"Hong lake Red Army," the party’s Daughter,"wildfire spring breeze fighting the old city","Mulan Psalm". Creative background and the social impact of these four operas, the dramatic portrayal of the heroine roleand the musical image of the shape and role players in the concert and performing arts, etc. were carried out specific analysis.Chapter3: described the shape of women heroines’ image inspiration and meaning for the creation of national opera.Summary: the China National Opera works as the heroine of the image shape summed up a series of characteristics, to promote the female heroism, culture, carry forward our national essence of vocal art, standing on a comprehensive analysis of the historical and social context of extension and expansion of the field values and aesthetics.