The "Torch Festival Of The Night"Zhongruan Playing Of The Pipa

The tracks of the "Torch Festival of the Night" in1979by Mr. Wu Junsheng lute creation. Wu Junsheng in1981to hear Wei Wei played, affirmed Nguyen and playing form. The tracks of the "Torch Festival of the Night" Nguyen and pipa Total tracks. Although the track is the same, but its sound characteristics of performing skills, is very different. I learn Nguyen and lute for many years, deeply both in playing the song has its own characteristics, this paper from its shape, the means of expression, tone, tune a stringed instrument, playing techniques, five study compared Ruan and pipa. Focuses on the various techniques of Nguyen and lute right-hand man, and its use of the different playing techniques and resulting played by the overall soundwill bring the audience feel.This paper argues that Nguyen played with lute differences reflected in the following areas:(1) shape aspects of the shape of the pipa is a pear the Nguyen shape is circular.(2) playing tool:Pipa nails, Nguyen use the paddles.(3) sound:the soft the Nguyen sound characteristics, rich, broad range, belong in the music device. Lute the sound characteristics of penetrating power, the treble is bright and full of rigid Alto area is soft and Run sound, the bass sound quality is pure and honest.(4) tune a stringed instrument:the tune a stringed instrument commonly used in Nguyen G, d, g, dl. Commonly used tune a stringed instrument of the lute A, d. e, a.(5) playing techniques:Nguyen and pipa playing techniques difference is reflected in the right hand part of the technique. Such as:the right-hand techniques of the pipa, shaking fingers, cover points, pulleys, etc., in Nguyen does not have these techniques.This paper argues that Nguyen playing the lute similarity is reflected in the following two aspects:(1) both of which are plucked string instruments, so with point-like sense of melody.(2) playing techniques similarities:left hand techniques, ruan and pipa has designated the tone, Vibrato, and hook the string, the right hand technique, both bombs pick, round that, strumming.This paper argues that Nguyen playing pipa has a certain relevance, reflected in the following aspects (1) lute repertoire, while fewer in Nguyen’s track Nguyen interpretation of some lute repertoire.(2) of the lute in all aspects of the development of more mature, and Nguyen is relatively weak, in Nguyen, there are a lot of playing techniques are derived from the pipa techniques.