Talking From Song Huizong’s Loquat Blackbird Figure

Two song flower-and-bird painting is Chinese art history of the peak, especiallyas the early Northern Song Dynasty flower-and-bird painting mainstream huangquandouble hook color to reach the acme of perfection degree. From the beginning of theNorthern Song Dynasty in the late, flower and bird painting aesthetic changes, based onthe theory of Chinese literati painting, combining the reform of Wang Anshi’s socialbackground, coupled with the development of painting tools and materials, to Cui Baiartists such as a turning point, the formation of the ink and wash painting, different fromthe fine bright Huang Quan close to Xu Xi,"the road to the lattice" means theperformance style, elegant and flexible, the use of more than color ink. With SongHuizong of the ink ink birds spend most representative figure "," loquat blackbird worksis typical of such style, the original size is not big, not in colors to win, from the sketch,pure ink double hook dyed, modelling is vivid, observe the subtle, elegant and refined.The formation of literati painting aesthetic taste and theoretical ideas in Chineseink painting style played an important role in the early Northern Song Dynasty paintingof flowers and birds, it is gorgeous, is attributed to insipid performance. This articleattempts from the social background, theoretical basis, the development of toolmaterials, aesthetic taste changes of loquat blackbird figure this ink flowers and ink avian style is expounded, the excavation of which is beneficial to today paintingcreation factors.