Comparison Of Traditional And Contemporary Chinese Zither

With the development of China’s long history and culture, the traditional nationalculture to each other with the national blood, the evolution of the different eras, thenew traditional music forms has emerged, atfer inheriting the tradition, the process ofabsorption and innovation, new and old collide，leading traditional music hasundergone tremendous changes in today, specific to the form, shape, humanisticaesthetics to the change of the values of thinking, whether reasonable to adapt to theneeds of the community but also to meet modern people’s aesthetic needs to become amajor issue and research purposes.Innovation is the life of art，ancient and modern, all full of vitality art，thefundamental secret, that is continuous innovation and development. Chinese zither>folk art has been able to back to ancient times, and constantly found new life, that is,because it follows the laws of art of innovation, innovation and development. Sinceancient times, years of accumulation, zither, the most representative of traditional folkinstruments with the development of different forms, has already achievedconsiderable distinctive achievements, the ancient dance music, contemporaryrevolutionary era music, etc. with the historical origins of the development of musicalinstruments line system, range and playing techniques to a wide range of genres andart forms, Guzheng constantly break through the traditional challenge to try, so thatthe formation of today’s "new tradition instrumental categoires，"This is a situation inwhich both into the human-induced changes to cater to people’s thinking and livingneeds of different times，with inevitability. Recalling the zither history, from theevolution of the five strings to13strings,15string，18string,21-stirng shape, toprove the in the zither shape of the continuous innovation and development; playingskills on the one hand and bombs，slip, rub，press, trembling hands to play, shakehands, speed dial on the irch and changes in the method of performing the bombs toprove the the Guzheng method on continuous innovation and development. From the traditional koto music, to the creation of koto music, to the the reaction reality ofmodern koto music, to modernist creative techniques koto music, proof of continuousinnovation and development on the zither musical composition. Our generation ofyoung musical talents, the former traditional music of our people for thousands ofyears the essence of culture, very heritage significance, we should shoulder theimportant task how to innovate zither form of expression and musical skills, Guzhengwitness a long history of Chinese books of folk instruments introduced to the nextgeneration as well as their children and grandchildren, to known and constantlyupdated AV mode a different era of people keen to learn musical instruments.The birth of the new era of art music has injected fresh blood, the Guzheng sameshould advocate and support innovation on the basis of traditional music. In this "oldand "new impact of the collision，through research and compairson, the correcttreatment of the comparative development of their traditional music and modernmusic and holding the attitude, with research significance. Either composed or played,innovation is not the purpose，but a means of seeking to develop, we encourage andpromote innovation koto music, playing innovation, in order to seek the zither greaterprogress and new breakthroughs. However, the new is not necessairly perfect, andeven not necessarily all good musicians need to try and verify, veirfy that the barirerto innovation in practice desirability.