Studies On Zhao Dongling’s "Main-Stream-Value-Oriented TV Play Of Home And Country"

Entered in21Century, The unprecedented popularity was obtained with themain-stream-value-oriented TV play of the family,and once formed a upsurge of ratings. In thisupsurge, a screenwriter’s name caught our attention. That’s Mr. Zhao Dongling, who won thetwenty-eighth session of Chinese TV flying Award “best screenplay” in2011. In recent yearsmany of her works have caused great repercussions. Especially the TV series “Yimeng”, Notonly won the domestic many TV awards, but also affirmed by leaders of the party andstate,because of the “Yimeng spirit” which praised by itself. We can say, the creation of ZhaoDongling’s TV series has gradually formed a “Zhao Dongling brand” for its internal obviousstyle characteristics, good ratings and wider impact on the audience. However, because of therelative lag and many other reasons of the study of the script of film and television, the studyfor Zhao Dongling’s workes are Very few relatively. After carefully watched all of Mr. ZhaoDongling’s works, I chose four of her works whiches are very representative:“A beauty in the north”,“Yimeng”,”The land of China”,“To go to the South”. On the basis of some similarcharacteristics, They are a one type, named “The main-stream-value-oriented TV play of homeand country”. Explore of the features, the reasones and the significances of this type will be themain body of this thesis.Apparently, Obviously, it is of positive significance to study Zhao Dongling’s “Themain-stream-value-oriented TV play of home and country”. On the one hand, throughallegorical criticism of this type of TV Series text, We can reveal the unique significance for theaudience. On the other hand, we can also go to study the“family TV series”, How to unify andcoordinate their own ideological attribute, commodity attribute and the attribute of Art. Found inthe family TV series production,especially script writing, the relationship between variouspower context and its effect on it. Furthermore, Zhao Dongling’s “main-stream-value-orientedTV play of home and country” is onetyple of the “family play”,and also is“main-stream-value-oriented TV play”. Study on it, able to make some rules clear of“main-stream-value-oriented TV play”. The success of “Zhao Dongling brand”can also providesome useful inspiration for creation of “main-stream-value-oriented TV play”. In this paper, Zhao Dongling’s“main-stream-value-oriented TV play of home and country”workes will be put in two kinds of contextes. One context is the social changes of the historicalcontext in the interior, Another context is the social and cultural context outside the text.Therefore, on the one hand, we put the research object as a separate text in this paper; On theother hand, we also see it as a kind of social culture system. Combined with the macro cultureanalysis and microscopic text reading, with cultural criticism as the theoretical perspective，andwith the allegorical criticism and ideological criticism as the theoretical starting point, andabsorb the theory resources of other related disciplines, for example, narratology, mass culturetheory, theory of consumer culture, feminism criticism and cultural hegemony theory etc.,theoretical analyses In many aspectsare carried out.There are six parts in this thesis in addition to introduction and conclusion.In the part of introduction, I will explain the reason, the object and its significance of myresearch. Then, I will study the present situation and the theoretical literatures which can providehelp. And finally determine the theoretical point of view, research methods and The logic,Chapter1, Find out the object of study’s macro positioning and ontology definition in the sense of "ontology”, so that we can become clearer on research, and better to grasp the nature ofthe object of study.Chapter2，I will use the allegorical criticism theory to interpret the text, to explore how theallegorical text constituted. And to study the narrative landscape, in order to have a clear outlineof the research object In the text level.Chapter3, On the basis of Chapter2, To analysis allegorical narrative strategy of ZhaoDongling’s “main-stream-value-oriented TV play of home and country”. Here the so-calledstrategy, In a statement, are aspects out of the ordinary in the Zhao Dongling’s workes. They arethe reasones why “Zhao Dongling brand” can form “brand”.Chapter4,Based on the previous two chapters, I will go out of the research on text level,and rise to the level of ideology in the cultural field, To explore the value of Zhao Dongling’s“main-stream-value-oriented TV play of home and country”.Finally, in the conclusion part of this paper, I concluded that: the reason of Zhao Dongling’s“main-stream-value-oriented TV play of home and country”can make the audience satisfied, is,when promoting main-stream-value-oriented, She did not give the national mainstream ideology to the audience forcibly. Contrary, she narrated the storystitched the national mainstreamideology into the public ideology, and by way of fable narration, taked the “home” or “family”which was closed to the public as the carrier,Such a strategy, maked Zhao Dongling’s workes become a brand.On the whole, In this paper, taking “a perspective, two point, multiple theory”,“what is‘main-stream-value-oriented TV play of home and country’, what are connotations of ZhaoDongling’s’ main-stream-value-oriented TV play of home and country’, the connotation is howto achieve, what is the essence of this implementation and what kind of value" such a logic toresearch.