The purpose of this thesis is to figure out after1980artist’s unique ecological patterns and historical causes by retrospecting their upbringing from the real illustrations and to provide valuable academic basis for the exploration of80artist’s mode and research of practice. During the exploration of practice, the80’s artists need to reflect on their own ecological reality, always keep their own values and persist with their unique conscious personalities. Steadily construct the future of Chinese contemporary art in a good way. After thirty years china reform and opening up, the80’s artists began to be presented in a different posture to the public and has gradually become the backbone of Chinese contemporary art. What we discuss in this thesis are more typical artists after1980,but as it should be, the80’s artists have a common. In this social context, their creations, living conditions and individua I experience will be challenged, always be torn between the reality of survival and ideal. According to this context, research and presents the real expression of80’s artists,find problems and raise expectations. |