Joining Written History

November20,1937, the National Government published the Declaration that moving to Chongqing, this relatively originally isolated inland mountain city started to shoulderthe responsibility of fighting for Chinese nations’freedom and liberation. During the Wartime, the capital was established as a center of Chinese political, military, economic, and cultural, and it was destined to become the hub of the Chinese news media activities at the sa me time. Simultaneously, numerous well-known artists and art workers who cross the country began to gather when the nation’s major art societies and art colleges (Department) moved to the Chongqing, and it made the activities becoming more frequent, active in art circle of Chongqing. Typically, wood engraving was developed entirely meantime as an Anti-Japanese War Art. Moreover, the subject of Wood engraving is anti-Japanese national, and it was adopt and greet by people who were from various circles because it highlighted the distinctive times and the theme of the spirit of realism. Thus, it was viewed as a art of revolution and a perfect approach of publicity. Woodcut like guns like fighting, as well as "When the revolution, the prints with the most widely used, although hurry instant, it can be done" features and functions, and News newspaper supplement stressed that the current situation, the presence of sex is very consistent, targetedand reach a consistent ideology and concerns sight orientation. Thus, the rear area of the literary supplement of the newspaper paid more attention to the art selected woodcuts. On the other hand, due to the wartime newspaper printing conditions and the quality of the paper limit, the newspaper had to choose less demanding woodcut printing conditions. Subjective and objective reasons, active or passive. Woodcut supplements are Chongqing During the woodcut movement teamed up with the news, the form of illustrations, lively, short and exquisite form of publicity, eclectic reflect the development of the Anti-Japanese War woodcut movement, loved by the masses of the people. The smoke of war. and the rear area of the newspapers and woodcut formed a close comrade-in-arms under the banner of the anti-Japanese national salvation, side by side shot, complement each other. co-writing a special historical period of domestic and foreign art history and the history of the news as never before.Grasp the development of special times, special circumstances, special areas, wood carvings and newspapers, on top of the rear area of the Anti-Japanese War Art Research-based, involving journalism history from the perspective of art history, and study woodcut Supplement Chongqing During the newspaper. On the one hand, in order, to analyze the Anti-Japanese War in Chongqing newspaper woodcut Supplement; On the other hand, the analysis of historical and practical significance of art and news side by side during the war, and make theoretical concluded.This study opens up a new space in between art history and journalism history, to fill in today’s academic research in the field blank, and provide inspiration for contemporary art and news together, learn; membership, on the other hand, thought that the study of Chinese art historynew angles and ideas and the history of journalism. At the same time, lay the foundation for further study of a series of work of the Anti-Japanese War of Arts and rear area with newspapers, periodicals and other.