Mind-body Isomorphism And Material Selection

With the development of the society, the material expression in the arts from a carrier and as a single tool to diversify so far, with its body as an artistic language of art history to participate in the development process, marks a new stage of development of the arts. With the emerging new media deep into all spheres of life, material development and evolution of art’s role is also diversified and world, in a wide range of contemporary vision applications, explore the visual appearance of psychological factors to convey the artist’s spirit through ideas, the concern by many contemporary artists, concept artists to share visual imagery to convey through the source to the public. Comprehensive paintings in modern art in the germination of the people’s attention with the works of art in the form of language and ideas, especially the use of materials, the material of the body as an artistic language from behind the front desk. The theories related to the Gestalt theory were from the physical and psychological aspects of aesthetic approaches and mechanisms for the occurrence of experience trying to do the interpretation and exposition, which is particularly interesting is that in the consciousness level of people’s emotions and forms of unity and The relationship between thinking and perception, try a more rational and scientific practice the art of painting for comprehensive material selection and use to provide theoretical guidance.In this paper, the Psychophysical isomorphism,one of the main Gestalt theory with visual thinking and perceptual experience as the starting point, coupled with the practice of the art of painting in the consolidated materials explore the use of the law, summarized and put forward their views and opinions, with the study of visual perception of external objects sensing and the nature of cognition, focusing clarify Gestalt psychology theories on the consolidated pro-painting process theoretical guidance, to be understanding and practice, in order to be able to draw on the integrated use of the material for the creation of rational choice carefully, and to audiences interpret paintings provide a comprehensive analysis of integrated dialectical thinking methodology and reference. The first part of this paper, the Gestalt theory school as the beginning of creation outlined in the consolidated painting manifestation of cognitive rules of visual perception; second part of the sign as a starting point to explore the painting in the use of integrated visual perception perception system to reflect the law; The third part of the history of painting materials to show us its objective law of development and to demonstrate the effectiveness of the body is the inevitable trend of history, respectively, from the perspective of the audience and artists, combined with the same type of thing on the mind’s understanding for analysis concluded; The fourth part, to material as the focus, look at comprehensive development of painting, comparative Analysis of the diversity of integrated graphic artist, and to be self-practice and exploration; final epilogue is a new form of painting materials and comprehensive outlook, discusses the format Tower of school-related visual perception theory and practice of integrated combination of creative painting already is the inevitable trend of history, as well as the future prospects in this field of exploration.