Northern Wei Dynasty Calligraphy Art Style Research

The Northern Wei Dynasty in China is an important time for the development ofcalligraphy. Since the emperor moved the capital to Luoyang, Luoyang as the political, economic,and cultural center．To win over Chinese and have long-term stable development, EmperorXiaowen actively promote Chinese policy, in order to create deep and rich cultural connotation.The Northern Wei Dynasty calligraphy is in two kinds of different culture in the miscellaneousfinancial. Can be said to the Northern Wei Dynasty calligraphy in Luoyang as the center of theCentral Plains culture accumulation of direct reflection, is also a product of the development ofethnic fusion.But in the existing calligraphy study, most of Scholars always only summarize thecalligraphy style and unique temperament features, and then guide the copy, The Northern WeiDynasty calligraphy style arisen solely for national integration, and the neglect of the NorthernWei Dynasty social turmoil, forced assimilation, miscellaneous melt, Han Chinese ideology,social status and other aspects of the great change of Northern Wei calligraphy style caused bydirect or indirect effects. So that appear in the book have a weak against the wind, the party ahard thing, indomitable calligraphy form. That is to say the Northern Wei Dynasty calligraphycan is an unwilling conquest, no one tells the inner vent presents almost perfect appearance.The Northern Wei Dynasty Epitaphs, inscription on the statues, cliff stone, is "typical ofWeibei", is also study of the Northern Wei style of calligraphy is the most abundant importanthistorical information. Kang youwei says " Statues of Longmen since as one image are similar,Xiong Jun, Wei Mao, very far down, party a polar orbit also." On one hand, we can see theNorthern Wei Dynasty inscriptions calligraphy art in Chinese calligraphy history importantinfluence, It represents the art of calligraphy on a peak; On the other hand the northern weidynasty statues in the signature "party of pen polar orbit" fully showing the "Weibei" wild andintractable, variety characteristic, Therefore the author through to the Northern Wei Dynastycalligraphy data collection, collation, Want to statues of Longmen as the main research object,which the unique style of transcendental in-depth research system, from point to surface analysisand gradually the calligraphy art style reasons, and unique historical position and to thedevelopment of the theory and practice of wei rubbings calligraphy instruction meaning.The thesis consists of four parts discuss. The first part of the political and cultural background of general analysis and summary, in the Northern Wei Dynasty complex populationdistribution and the complex ethnic mix under the influence, the localization process islabyrinthian with various aspects of the complexity, to form the unique style of calligraphy has acrucial role in. The second part focuses on the development of calligraphy to organize, to analyzethe emergence of a large number of epitaph, the multiple layers of stone. Taking Longmen as anexample of Northern Wei Dynasty statues in the special political and cultural background of theart form of. The third part, it focuses on statues of Longmen as an example, first to Longmenfour as the representative of the art of calligraphy style characteristics gradually, from point tosurface, by the statues of Longmen calligraphy art of calligraphy art in the Northern Wei dynasty.Combined with the inscription on the statues of the writing, publishing and the complicatedsocial background to analyze the formation of statues of Longmen inscription calligraphyaesthetic reasons. The last part emphasizes the calligraphy in the later development and influence.On one hand, analysis of the calligraphy in the Northern Wei. After thousands of years of silence,as well as the Weibei reappear after its unique book wind on the stele theory of Qing Dynastyarisen directly. On the other hand, discusses the influence of modern calligraphy can not beignored. Not only many calligraphy technique, affected by this, and even today, The dailystandard of the formation of the "new Wei Ti" has become the most popular since twentiethCentury is one of the emerging calligraphy fonts.The innovation of this paper lies in: the first, to form the unique writing style causes. In theunique cultural background, formed with the quiet side firm，strong male as the maincharacteristics of the Northern Wei Dynasty calligraphy art style, And the beauty Wanmeicalligraphy style, dignified and graceful style of calligraphy in stark contrast. Always only focuson the Northern Wei stone in the surface of the artistic style and aesthetic characteristics, And noton the formation of hard quiet side, stubborn unyielding calligraphy style deep reason research.The author mainly through the complex cultural background, the book engraved creative mood,creative environment and itself on the Weibei writing practice aspects. In second aspects, thebook of silence and reproduce the reason of wind. The unique Northern Wei Dynasty calligraphyrise in the Northern Wei Emperor Xiaowen moved the capital to Luoyang and, briefly popularforty years, along with the Northern Wei die and gradually quit the stage of history. And nothinglike the fragrance, under the body, grass as has been the development of book learning, but still lost over the last one thousand years, to the Qing Dynasty, Kang Yong previously no one showsany interest in. But the Northern Wei Dynasty calligraphy until the mid-Qing Dynasty, hasbecome the most respected advocate epigraphy in style. This cultural phenomenon is complexbut so far little people involved. The author thinks that in a certain sense, It is the party hard,stubborn and unyielding calligraphy shape formed by the shocking force of infection, To meetthe then in the middle of Qing Dynasty many calligraphers psychology，By the Longmencalligraphy style inspired, Beiban style inspired, promoted the rise of stele theory of QingDynasty．...