Theory Of Bamboo Folk Writing Of The Novel

Folklore is not only the intermediary and source of literature but alsothe soil for writer’s literary creation. Novels, as a type of literature，contain great capacity of the society and they are closely related withfolklore. In fact，most of the novel，no matter they are Chinese or foreignones，contain the factors of folklore. Zhu lin is a woman writer from theeducated youth living, since she is still in rural areas as create their ownbase, to build their own unique literary world. She is living in the suburbs,rural farmers, especially rural women to become an important theme ofher writing. Starting from the folklore point of view, display, analysis,discusses the Zhu lin’s novel rich folk performance and deep folkimplication.The full text is divided into four parts:The main idea of first part is about the folk infiltrate the writer.Educated youth writer used to live in rural areas, their creation will notconsciously rural life as a frame of reference. Folk in the rural culture hasa deep-rooted position, folk naturally into the writers works, as a plot ofpower.The second part looks at the specific role of folklore in the fiction ofZhu lin, this chapter mainly on Zhu lin’s most representative of the novel"Witch", the source of myths and legends in the folk novels, folk customsis the driving force of the plot, but also laid the background atmosphereof the whole work and folk art rendering role. Folk is not just a narrativebackground, but also directly become an integral part of the structureof the novel style.From the folklore point, the third part view of women in the Zhulin’sworks, Zhu lin pen the fate of rural women from the women folk imageryprototype of the camp structure, marriage and female taboosinterpretation. The fourth part is about the folk imagery, folklore on the basis of theimplication from the plants, animals, water, images of Folk Meaning ofdigging its symbolic significance.