Yan Book "three Draft" Of Space Research

The history of Chinese calligraphy in China, the biggest and the most far-reaching influence recognized the calligrapher’s is wang xizhi and YanZhenQing, two people in their unique style of Chinese calligraphy feature two entirely different artistic and aesthetic system, and affecting the whole skeleton of calligraphists’ artwork.Since one thousand, the calligraphy of inheritance and innovation are ShuGu can’t get around topics, wang xizhi as "holy book" the book style is the wind has, until the early tang dynasty wang xizhi books over the whole calligraphists’ artwork, didn’t appear until YanZhenQing watershed, YanZhenQing in wang xizhi book wind unify the whole country in the environment of wang xizhi can get the "barriers", establish face, only a tree. So, through YanZhenQing representative works of YanZhenQing to study for previous calligraphy is how to inherit and innovation, we especially for today’s calligraphists1artwork is in "the two Kings face" that a situation is of profound significance. YanZhenQing the most representative of the achievements of his works is running works, this paper YanZhenQing choice "three draft" as the research object, through yan book "three draft" space composition, specific to analysis the characteristics and YanZhenQing pen JieTi characteristics, and to wang xizhi’s with the pen, in JieTi to compare and find out the inheritance and innovation consciousness, secondly, again according to the "three draft" the characteristic of composition, this paper analyzes the process of whole space with a relationship, to spy out the YanZhenQing art elements or potential art creation consciousness, for our contemporary calligraphic art inheritance and innovation to provide the reference for the better.