Embodiment Of The Like

This thesis focuses on make up and self-representation photography in contemporary art. Make up and self-representation photography as a very common form of photography, turn into the many contemporary artsts use creative way. The paper attempt to Make up and self-representation works in the history of style and image analysis, complementary with existing comment historical background and cultural discourse, to delineate a volume of "Make up and self-representation" brief photography. Push performance a piece of in the contemporary art typology dendritic diagram of Make up and self-representation photography.Meanwhile, this article on the basis of detailed case analysis, specify the photography in the from of art history what has origin. Through this kind of artist and use other artistic media in art history of similar artists are compared, analysis,with sociology, behavioral psychology, camp aesthetics theory and so on, try to explain what is behind the motive and intention in the various Make up and self-representation, analysis in this seemingly consistent language form, in different artists there contains different cultural relevance.I guess, this paper analyzes and unscramble, will not only personal for me have a reference to the creation of the role, and then the proliferation of the role playing photography(not only in the art world) has a reference, prompting for the role.