The Theory Of Jiang And The Huangshan Mountain

Jiang Qing (1610-1664) is one of "four monks", is from the Ming to Qing Dynasty painter. Jiang’s landscape painting at that time had produced far-reaching effect, and the formation of he led the Xin’an school and Xin’an four.However, Jiang effects are not limited to this, Xiao Yuncong, Stone Creek, Mei Qing, Shi Tao, by his influence. The extensive influence of the first to Jiang He first advocate of Mount Huangshan sketches. Through ten years like a day from Mount Huangshan, Jiang eventually find him the art of " my condition", and through a wide range of communicative activities made his style and thought to be transmitted, and then directly to the early Qing Dynasty painting has produced important influence. This effect is mainly manifested in two aspects:the "Xin’an school" and Mount Huangshan sketch pop.In this paper the research perspective focusing on Jiang Mount Huangshan sketches, the study of the nature of art gradually and the widespread influence and the relations between them. This thesis is mainly divided into three parts in this article:"Jiang and Mount Huangshan:my condition","School of Xin’an:the trend of the times" and" Mount Huangshan painting:I use my method", respectively, discussed Mount Huangshan to sketch on Jiang my art creation influence, the Xin’an school and the effect on Xin’an area and other important the painter’s influence. Finally, from Mount Huangshan in Zhejiang and other artists under the joint efforts, has become the early Qing Dynasty painting of an important trend in art.