A Variety Of Culture Under The Background Of Gao Jianqun Novel Creation

Western China has been a multi-ethnic region, thousands of years, through migration, trade, intermarriage and war and so on between the various ethnic groups, competed with each other and merged formed a multi-cultural pattern. Among them, the farming culture has always occupied a dominant position because of its deepest inside. The literature creation also highlights the variety of background in the multicultural context.Gao Jianqun was born in the Weihe Plain, stationed in Xinjiang Altay prairie5years, then lived in northern Shanxi nearly30years. Because of the impaction of different geographical and cultural profound, he has always been obsessed with the thinking of the relationship between nomadic and fanning cultures long time, and showed them obviously in his novels. This thesis aims to explore special characters and life pictures in a variety of cultures presented a through the analysis of high Jianqun novels.This thesis Consisting of five parts. The first part is the introduction, screens out some famous research works about Gao Jianqun’s novels in recent years, to explore the Gao Jianqun novel research results, and analyzes research vacancies at proposed purpose of this study and its significance.The second part describes the hidden background of nomadic culture in his works. Gao Jianqun stationed at the frontier, worked in northern Shanxi nearly30years, these places are different from farming plains in the ecological environment and natural beauty, and his survival is also large relative to vastly different. Different cultures made him to have unique life experience, he also writed this experience into his novels by unique narrative space, and showed out nomadic group of clan’s descendants who is difficult to curb the travels of the eager and full of Wild’s fighting spirit.The third part discusses the strong farming culture in his works. Northern Shaanxi is a cultural fusion area of nomadic and farming, Gao Jianqun repeatedly exclaimed proudly "saints sermons partial omission here" to praise the rebellious pride and wild in the nature of the Northern people, however, the precipitation of the farming culture is an undeniable fact in national integration. In addition, Gao Jianqun was born in the Weihe Plain, this place is one of the deep area of the farming culture, the concept of Country and home complex are difficult to split from himself. Therefore, the heritage of the fanning culture is one of Gao Jianqun can not get rid of the writing background, which is an important key of analyzing his novels.The fourth part is to analysis many of the female images in his works. It i can not be ignored the shape of the female images in Gao Jianqun’s works, Gao Jianqun that the female is given to hard from the the Sali Ha, heibaishi, Danhua, Lanzhenzi, Dashundian, wheat Phoenix, GuLanzi, grandmother, and so on. they are subject to yield, bold diligence, beauty and other virtues. They are a beautiful landscape in the heavy life and source of strength to resist fate. It should be said that the Gao Jianqun novel images of women are brighter and vivid than men images because of suffering of life, the calm of life singer, not only having resistance to the bad life but also having romantic spirit of nomadic people.The fifth part is about the folk customs. Gao Jianqun’s description of the folk customs mainly focus on its theme of the novel in northern Shanxi. His nearly30years life experience made him familiar with all aspects of the character and life of the Northern people, reside in the characteristics of the regional customs is not only a reflection of the mental outlook of this earthly life, but also the inherited culture.Throughout Gao Jianqun works of fiction, the narrative of those emotions and flying like the Huns all the boisterous horse gallop, his nomadic culture’s obsession makes him some tracking for a sigh he never forgets that distant history, he calls himself "Chang an Hun" can be seen. However, a strong farming culture has already become the background we can not refuse, the characteristics of its broad and inclusive cast the historical actuality of its ubiquitous, Gao Jianqun’s literary creation is so, despite its repeated emphasis on saints sermons here partial omission its keen select a land of nomadic and nomadic, as described object, but a strong farming and cultural background is also an indisputable fact, nomadic and farming, and deeply interwoven in the novel creation of Gao Jianqun.