Shang Qing Poems Of Ci Studies

This paper focuses on "Qing Shang Quci"in Yue-Fu Poem Anthology by Maoqian Guo. This paper cleares historical development of "Qing Shang"connotation and Qing Shang music.On the basis,this paper researches QingShang music’s singingway,musical instruments features,musical features and musical systems,in hope to seek for the relation of Qing Shang music and Qing Shang Quci.This paper includes introduction and three parts of texts.The introduction is mainly about this paper’s research content,research significance, current eseach situation and key questions in summary.The first part,the development of Qing Shang’s connotation. This part focuses on clearing and researching on the definition of "Qing Shang"in different ages. From "Qing Shang"as scale to "Qing Shang"in administration of Office of Bell Music,the definitation changes with the development of ages.The second part,the development of Qing Shang music and Qing Shang Quci.Firstly,this paper researches on the development of Qing Shang music,instructing the different lyrics of Qing Shang music in different ages."Qing Shang music"and "Qing Shang"have same definition to some extent,but not completely same. Qing Shang music has its own development.Then this part researches the development of Qing Shang Quci corresponding to Qing Shang music. Qing Shang Quci arose in Eastern Jin Dynasty,and peaked in Song and Qi Dynasty. Yu-Fu Poem Anthology sorted Qing shang Quci into six kinds:Wu-Ge music,Xi-Qu music,Shen-Xian songs, Jiang-Nan Nong, Shang-Yun music and Ya-Ge. Among these anthologies,Wu-Ge and Xi-Qu music is the most and the most important,which is the main part of Qing Shang Quci.Qing Shang Quci could be sorted into two periods by the time and writers:the first period is the ballad whose lyrics are mainly from fold,and are mainly about love between boys and girls,short and poignant. Shen-Xian songs in Wu-Ge music are expertised in supernatural priest songs,and full of folk colour. The second period is the works in Liang Dynasty and Chen Dynasty,which includes the "Jiang-Nan Nong","Shang-Yun music "and "Ya-Ge". The third part, Qing Shang Quci’s musical features and its influence in Qing Shang Quci. Because other Qing Shang Quci are alteration and imitation of Wu-Ge and Xi-Qu music, the researches on Qing Shang Quci should begin from Wu-Ge and Xi-Qu’s orgin,language features and systems. So,Wu-Ge and Xi-Qu is the center of this paper. Firstly,this paper researches on wu-ge and Xi-Qu’s orgin,and then shows southern love songs’feature and the influence in Qing Shang Quci. Wu-Ge and Xi-Qu songs exsiting now are all about love,and the styles are all soft and gorgeous,many of them are fresh and natural. These art features’forming not only arose in noble’s hobbies,but also connected with fold works tightly. As the folk music, Wu-Ge and Xi-Qu influenced in the art features largly,and these love songs are influenced by expression way and musical systems. So,this paper researches on the musical instruments,acting way,musical systems and styles when Qing Shang Quci is played. In a word,the background,method and social function of southern folk love songs, and the singing way,instruments features,musical features and systems determine Qing Shang Quci’s features as short and popular,gorgeous and lyric. These are the key queations in the third part,and the core of this paper.