The Theory Of Aesthetic Paradigm Of Southern Song Dynasty Poems Words

Early in the pre-Qin era have chanted the words of budding, and continued development until the Southern Song dynasty. The Southern Song Dynasty landscape poems, mature, become a kind of literary style. Whether the work quantity or famous works number, can be described as Weiran spectacular.For chanting words, since the Southern Song Dynasty, there have been various angles attention and innovation, further research on. But most concentrated in specific CI CI research, in recent years emerged from the angle of the history of landscape poems development works, such as" the Song Dynasty landscape poems.".But for the Southern Song Dynasty landscape poems appreciation, also there is very little from the paradigm of exploration and research. It is of aesthetic value of literature, the Southern Song Dynasty landscape poems has overflowed the aesthetic implication. This paper, introducing western science history on the use of the paradigm theory, from the Aesthetic Paradigm Perspective path, by using the paradigm theory embodied in the overall perception, macroscopic research ideas and methods, through to the same specific historical period of the synchronic study, more important is to apply such theories to the Southern Song Dynasty landscape poems is mounted for longitudinal the diachronic interpretation, omnibus give the chanting words inner, overall, the mainstream trend and track, the overall characterization of the Southern Song Dynasty landscape poems aesthetic paradigm.In addition to the introduction and conclusion, is divided into four partsThe introduction of the Southern Song Dynasty landscape poems of the study status in order to comb, and through the analysis of the historical evolution of Yongwu literature, chanting words on this important concept to define.The first chapter through to the Song Dynasty chanting the development of literature, the Northern Song Dynasty landscape poems overview of the development of the narrative to interpretation of Southern Song Dynasty landscape poems before the development of.The second chapter the Southern Song Dynasty landscape poems aesthetic paradigm is divided into two sections:the first section of the paradigm of the sources and how aesthetic paradigm is applied to the Southern Song Dynasty landscape poems analyses illustrated, and detailing the landscape poems of describing state, from the body and from two aspects of object chanting words carefully investigation. Section second to romance, from lyrics by material, support the thing word aspiration and in meaning in three aspects to romance category of landscape poems in the explanation, in accordance with the chanting the word the main embodiment of content, combined with the chanting words detailed appreciation, resulting in Southern Song Dynasty landscape poems aesthetic paradigm the overall grasp.The third chapter the Southern Song Dynasty landscape poems aesthetic paradigm of artistic characteristics. From the shape, similar to portraits, personification and synaesthesia, using direct and inverted, hopes to use, to elucidate the Southern Song Dynasty landscape poems artistic characteristics and value.The fourth chapter the Southern Song Dynasty landscape poems aesthetic paradigm development causes and effects, through the analysis of chanting the word itself development regularity and time factors, especially the combination of Yuefu s problem" that the Southern Song Dynasty landscape poems aesthetic paradigm development reason and necessity, through to the later chanted the words of Song Dynasty slightly see chanted the words profound influence.The conclusion part from art speech unlimited, infinite perspective to explain the performance, the Southern Song Dynasty landscape poems values, inspired researchers to mining and its implication of discourse.