Wei Liangfu "song Law" And China's National Vocal Music Art

Wei Liangfu’s "Melody" was later regarded as "Kunqu opera’s ancestor" and bridge of singing performance."Melody" brilliantly summaries and discusses the tune theory, the dialectical relationship between words and the tune, and aesthetic standards. It also comprehensively reveals the common singing rule of the tune art (the core of the singing--"philosophic"(Etude Foundation),"Sanjue"(general practice.)", five not to be"(taboo of singing)," Five difficulties "(request of singing).The paper only discusses on the processing point of the tune application and the music technology and on the reference effect and the guiding significance of the "Melody" on the creation development of Chinese national vocal music art, by the following four aspects:" Melody" formation and the improvement of Kunqu Opera, the tune application of "Melody" and processing method of singing technique, leading the modern national vocal music theory and practice by the tune art of " Melody", inspiration of the national vocal music art by innovation of "Melody"...