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The Creation Of Postmodern Female Photographer Perspective

Posted on:2012-04-16Degree:MasterType:Thesis
Country:ChinaCandidate:N N WangFull Text:PDF
GTID:2245330392460177Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
After the birth of photography in the hundred and seventy years, photography than thepainting as a simple and free artistic expression, has been one of love and popularityin the post-modern art before, as some social and cultural reasons, photography hasbeen dominated by men sector, most of the country, in general,women are menwatched passively as the subject exists. And with ideas to speed up development ofwomen in post-modern photography, women began to use photography to expresstheir thoughts and feelings, from standing in front of the camera to the lens, they arewomen from their own perspective, do not have a male soft psychology of womento express their inner spirit-to society, life, culture and different emotionalexperience. Photos of their soul and life with full of vitality, so that a new awarenessof women themselves, and social problems. This article is selected after arepresentative of the four modern women photographers-Cindy Sherman, SouthGolding, Sali Man, Xiao Hui Wang, from their social and cultural background inwhich to study, from the women Analysis of the inner spiritual nature of the creationof their photographs, from the perspective of women’s psychology to the creation oftheir voices together to explore their role as women’s nature and individualdifferences.
Keywords/Search Tags:photography, women, post-modern, creative vision
PDF Full Text Request
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