Zhao Baogang Youth Romance Narrative Plot Aesthetics Research

Since2007, the " Struggle "" My youth who call the shots" and " Defended War of the Marriage " directed by Zhao Baogang was broadcasted in several satellite TV successfully, with the high audience ratings which has gained a lot of audiences’ praise and satisfied to the young generations heartfelt wishes. As an effective part in the TV dramas, the narrative plots play a decisive role in Zhao Baogan’s Youth Romantic Dramas, and this thesis take the "Youth Trilogy" as an example to analyze the narrative plots structure、aesthetic value, realistic meanings and the possibility of multi-creation combining the TV Dramas Narratology.This thesis can divide into four chapters. In chapter one, the thesis regards Youth Romantic Dramas as one of the category dramas, to analyze and comb out the development of the youth romantic dramas in Chinese mainland, including Definition intension and classification, and finally on this basis the thesis point out that the youth romantic dramas facing the risk of narrative plots stereotyped setting-up and subject is too far to realistic life.With the Structuralism Narratology, chapter two focuses on the narrative strategy in the Zhao Baogang’s Youthful Romantic Dramas------using "life-flow" to organize plots in the angle of common people’s view to express "family-reunion" which was effected by Chinese Traditional culture; in this chapter, the author also analyze the authenticity, dramatics and tendentiousness to reflect Zhao’s Youth Romantic Dramas’ the combination of secularism and ethics, artistry and a commercial under the post-modern background.Chapter three mainly discusses the realistic meanings of the Narrative Plots in Zhao Baogang’s Youth Romantic Dramas. From "struggle" until "My youth who call the shots" and "’defended war of the marriage", Zhao’s "Youth Trilogy" discusses a series of questions such as love, marriage and undertakings about80’s deeply, and consciously launches the narrative plots around the social hot topics instantly, which directed people to discuss instantly popular social phenomenon; at the same time director Zhao make-up "Utopia" to avoid the sharp contradiction conflicts in actual life ingeniously, and releases the youth individual characters in the interaction of youth-hood and reality, and also reflects the era of aesthetic consciousness trend in the post-modern linguistic context.The last chapter mainly discusses the risk of narrative plots stereotyped setting-up and subject is too far to realistic life which cause Aesthetic lack and point out that under the background of aesthetic demands diversification, the narrative plots of Chinese Youth Romantic Dramas should take the life-mode instead of drama conflicts, and draw lessons from Chinese literature narrating tradition to make the difference between Japan and Korea’s romantic dramas conventions. And finally we could find a way which is suitable to multi-create in the narrative plots and earns a broader developing space for China’s Mainland Youth Romantic Dramas.