The Research On Youth Image&Cultural Landscape In Domestic Youth Dramas

The research object of this paper is the image of youth in the youth dramas,and the core problem is what kind of intertextuality and constructiveness between the domestic youth dramas and youth culture? As we all know,youth has been the most visible and active cultural group and research object in the society since they were "discovered".In the past 20 th century,the youth movement and youth culture emerged to reflect the stage characteristics of social development,and the domestic youth dramas,born in the 1990 s and continuously gaining social topics,became the type of TV drama retelling/reflecting youth and youth culture.However,with the current hot youth film and television industry,young people again become the focus of the object,many scholars think that "youth culture" has been replaced by "youth culture".This paper holds that the development and evolution of youth images in domestic youth dramas reflect the changing process of youth culture.Meanwhile,the "youth loss theory",which is on the rise at present,can be found in the construction of youth images in domestic youth dramas and the participation and practice of social youth.In this paper,the youth issues in the theory of youth culture,the image of youth in domestic youth dramas,and the participation and practice of real youth are studied from three aspects: the construction of youth images in the social and cultural context of domestic youth dramas,and the reflection of social youth culture.The first part mainly examines the development track of youth culture theory,the diachronic development and evolution of the youth image in Chinese society,and the definition of the relevant concepts of domestic youth dramas.It believes that the current youth is just like the later subculture theory: the identity boundary of youth starts to be blurred and tends to be fluid.At the same time,domestic youth drama is an important symbol of the development of youth culture.The second part: mainly examines the youth images in domestic youth dramas in the 1990 s and the beginning and end of the new century(1998-2005).Therefore,the youth image constructed in this period is not native,and the youth culture is infected with strong commercial consumption atmosphere.The third part: mainly examines the "localized" youth image in the burst of realism(2006-2013),and thinks that the constructed diversified youth image has completed the theme of struggle and inspiration in the "intergenerational conflict" and "problem solving".Thus,the youth culture also gradually from the edge to the mainstream.Part four: the media environment,narrative features and the constructed image of youth in the creation of domestic youth dramas under the webcast(from 2014 to now)are mainly investigated.It is believed that under the new Internet media,the participation of young audiences and the combination of types can achieve a breakthrough in the construction of young people's image,and at the same time reflect the increasingly fragmented and dissipated young people's cultural landscape since the new era.Finally,in the conclusion,youth has not disappeared,but has broken through the traditional youth subculture research perspective.Moving in a more fluid posture.