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Chinese Landscape Painting Space

Posted on:2014-01-09Degree:MasterType:Thesis
Country:ChinaCandidate:Z J JinFull Text:PDF
GTID:2245330395492680Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
After entering the21st century, as globalization and informatization advances rapidly, the East and the West influence and interact with each other in stratum, philosophy and thought etc. Abundant thought and knowledge were passed down in the process of the emergence and development of civilization, and knowledge is easier to get access to in this day and age than any others in the past, which means in the21st century it is hard that we can’t use only one way of thinking to understand a situation. There are a lot of people in the East living in accordance with the Western way of thinking, but meanwhile, the eastern way of thinking inherited from the ancient time has already blended into their bodies and they are being unconsciously influenced. Nowadays it has been difficult to use "eastern" or "western" to distinguish strictly the natural thinking process..Now the East and the West have no boundaries of time and space. Inmy opinion, if we record the history of aesthetics from now on, there will be no need for us to differentiate the history of the oriental aesthetics from the history of the western aesthetics. If oriental aesthetics (especially Chinese painting) is interpreted with the eastern mysticism and distinguished in the art of painting, it will not be able to blend into the history of the mainstream aesthetics in the future.The paper describes the background of how it came into being and the content of the composition theory of Chinese painting in modern modeling language and that Chinese painting should not be re-interpreted in accordance with the western aesthetic point of view and should not be mixed up with western painting and should not be listed into the western painting category. According to oriental language interpretation, it is divided into painting and modernity possessed by comprehensive art type such asprint advertising, commercial art, film and other type of business, and further more, the possibility of future development of oriental aesthetic language is tobe explored.
Keywords/Search Tags:epilogue, cavalier perspective, view of nature
PDF Full Text Request
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