Version Of The Ming And Qing Dynasties In The "water Margin" Intertextuality "language - Figure" Phenomenon

The Ming and Qing Dynasties in this novel is full of a large number of illustrations, image and language in sharing a text, will produce complex" Ianguage--Image " intertextuality. In this process, the language and images in their respective unique media advantage, mutual referents, formation of intertextuality. This article in the Ming and Qing Kan Ben" outlaws" as a case, analyzes the illustrations for the book of morphological evolution, and the combination of a close reading of the text, on different intertextual effect to make the distinction and generalization. This study built on a large number of academic research basis, using a variety of methods, in-depth analysis of the interaction between language and image, has fully rational. In addition, the paper in the language and images for the microscopic comparison foundation, will also illustrated evolution on the macro history of literature context, through the illustration of morphological evolution the perspective behind the people’s ideological change.This paper is divided into four chapters:the first chapter summarizes illustrations of scenes from the macroscopic angle to choose the basic principles, namely" pregnant" and artistic atmosphere of integrity; in addition, also traces the source of popular novels in Ming and Qing Dynasties illustrations, exploring its early form. The second chapter examines Wanli before term inscribed" Water Margin" illustrations, generalize its tacit and symbolic characteristics. It has two, one is not the pursuit of the plot illustrated accurately modelled, and language text to be neither friendly nor aloof. Two is the illustration is divided into two size, big, small map as a supplement, the interactions among the two showing works connotation; the third chapter is the key, the late Wanli Ming expedition to published" outlaws" illustrations, summarizes the" reasonableness" features. The illustrations in the scene selection and composition will strive to explore the internal "favor physics", the same language text to the depth of intertextuality, inspire each other, delicious. This is reflected in the reconstruction time, choose meaningful scenes. The fourth chapter of late Ming and early Qing Dynasty to Qing Dynasty inscribed" outlaws" illustrations, generalize its clear reward and rational characteristics. Tours of the late Ming and early Qing Dynasty Qing Dynasty reflects the social trend of thought, rational refers to modern times, illustrations in western scientific rational spirit under the influence, using mathematical calculation, perspective, so that the screen become flexible" the geometry of space". According to the time sequence, Ming Kan Ben" outlaws" in" language--Image "intertextual experiences these three forms, different forms of hidden behind the cultural significance that, the image as a form of literary criticism, should cause enough take seriously.