On The Chinese Painting Baimiao

Chinese painting Baimiao, out of the Fenhua travel light, bright color, directly hold images of the contour, the dynamic, the soul. The painter’s eye, hand, heart and creation face-to-face combat. Images in this revelation of his true form, a painter in this to reveal his technique and personality. Abstract line, do not exist in the material, does not exist in the mind, but with its regularity, flow, loop, tortuous, expression of all size, morphology and life; but also by virtue of its rhythm, speed, force, have the depth such as the string music, dance in the state, the mood to write spirit condition and exploration into the object’s poetic spirit.Chinese is our national painting one of the basic method, is the image of a manuscript, is nearly a thousand years by the Chinese people’s favorite is a unique style of painting art form. The so-called Baimiao, is not need color rendering, only pen with line weight, flexible, and changes, such as shading, can portray the reality of images texture, volume, three-dimensional sense modality and figures birds and flowers. This technique, along with our traditional painting lines of constant development and gradually formed. Chinese painting has a history of thousands of years, in this long artistic practice, the ancient painters, artists for the lines of the use of a variety of creation and achievement. But the painting as a painting, to Li Gonglin in the Song Dynasty when formal formation. He inherited the traditional foundation, creatively finally completed the" Shi Dan also shine " and " the paper outlines", is a traditional Chinese painting lines become able to separate an expressive method. Since the Song Dynasty, although the painting by Sheng, and part of this art form, still showed its permanent vitality, each dynasty has good painting painters, such as in the late Ming Dynasty, Qing Dynasty of Chen Hongshou Ren Bonian.’Line" is a kind of complex dual character:one, more or less plays a" simulation " object contour effect and performance; two, the" line" and" points" of specific morphological and not completely faithful to the images of nature.