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Theory Of Chinese Contemporary Ink Painting In The Plot Of Freehand Brushwork In Traditional Chinese Painting

Posted on:2014-01-23Degree:MasterType:Thesis
Country:ChinaCandidate:J YangFull Text:PDF
GTID:2245330398452933Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
With the development of oil painting, oil painting of factions with different improvements and technology breakthroughs, painting an image from the East to the West-images of realistic painting has a different development, mainly in the painting on the language in the same way.On oil painting and Chinese landscape painting theme, artists own clean fired, vent on the subject of the painting, because the theme of choice is the creation of a painting, set the direction, method, techniques such as painting, what kinds of material, color trends, and even the artist’s psychological feeling there will be a certain degree of influence.In the tradition of ink painting Oriental ink painter mostly in painting subjects are landscapes, reflecting the artist’s heroic sentiment.Western artists is mostly focused on drawing people, and society also have a certain impact, just as in the subject of the portrait in Western painting culture impact of the belief in God is God.Now Western oil painting painting freehand painting into the theme of the Oriental painting, oil painting, feel the flavor of the East.Painting means integration became a fusion of modern Western painting and one of the breakthrough.Freehand painting Freehand brushwork in ink of the East and the West in some way has a certain degree of similarity, China has a long history of5,000years of traditional Chinese ink painting and important status.Traditional Chinese ink painting is not only a symbol of the national spirit of Chinese art and also cultivate a belief in the value of the spirit of the general public.Traditional Chinese ink painting in constant development and change.It exquisite technique and rigor while admiring the expressions of appreciation of traditional ink painting has a certain level of aesthetic value.While ancient Chinese ink painting and continuing exploration and development, are to his ideas being explored and studied.Because the ink is the idea of "meaning" forms of expression and contemporary "qi" control painting through their own ink by constantly training to raise awareness of the "meaning", and strengthened the "air" application.The "meaning" artists on the comprehension and understanding of Taoist, Confucian School of philosophy to apply into the philosophy of Chinese ink painting, increase the aesthetic value of the picture to an awareness of the life and values.In modern painting of development and awareness Shang China many of painting home put itself on China traditional culture in the of Taoist doctrine and ink of image of understanding thaw into has modern Western of freehand painting in the, which freehand painting in of image and China ink painting in the of "meaning" has same of concept meaning, in these China traditional culture in the on "meaning" using of while, also thaw into has China traditional culture of belief and spirit of pursuit trend.Painters painting the spirit of two systems to melt together, created a new realm of thought, Chinese artists in this new area by Chinese traditional ink painting and Western in the refinement of the Freehand painting a variety of experiments.In addition to experimental artists of contemporary techniques, used in Freehand painting on the screen, for example in the form of composition in painting, on a comparison of the use of line, color, this distinctive and common way of painting.While viewers appreciate the people met the spirit that led to paint painters painting at the same time with feelings, so enjoy while admiring will appreciate the painters at authoring time, that stimulated the spirit of painting, is because of this feeling in order to create the effect you want.While in the exploration of painting skills of the actual application of traditional ink painting, blank hold hand brushwork oil painting.That oil painting has a picture of a Oriental flavor stuff, makes the exchange of Chinese and Western painting style space, while giving Western painters learned the charm of traditional Chinese culture.Through the continuous exchange of Western culture, artists continue to explore, can already see in the Freehand painting of modern Western fusion of spirit and ideas of Chinese traditional ink painting, which narrowed the exchange of Chinese and Western culture from traditional culture while building a favorable communication platform for the exchange of, China’s traditional culture and modern Western culture and art on the bridge.
Keywords/Search Tags:traditional ink painting, freehand, spiritual thoughts, traditional culture
PDF Full Text Request
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