Based On The Traditional Freehand Brushwork In Traditional Chinese Style Of Plane Decoration Application And Research

The title of this paper is based on the traditional style of the flat decorative painting application and research,a total of five chapters,the first chapter is the introduction,mainly divided into three sections,respectively,the purpose and significance of the study,the study of innovation and domestic and foreign situation analysis.The purpose and significance of the research is to combine the traditional style with modern some of the abstract and bold elements to create a set of decorative paintings with Chinese traditional flavor and not the modern style.In the second section,it mainly explains the design idea and the practice scheme of the two aspects.The status quo at home and abroad mainly expounds the application of the traditional style of freehand brushwork in various fields.In the second chapter,the concept,the concept of freehand brushwork in traditional style,freehand brushwork in traditional style embodied in the history,and ancient decorative painting development,the second section,using for example the method to describe the traditional freehand brushwork in traditional Chinese painting style from the Western Zhou Dynasty to the Qing Dynasty to better body now and development.The third chapter and the fourth chapter are the main parts of this thesis.The third chapter is about the concept and performance skills of the plane decorative painting,mainly divided into four sections,the definition,types and functions of the plane decorative painting,the theme and the form of the decorative painting,the performance of the decorative painting style,and the composition of the decorative painting.The fourth chapter is about the application of the flat decorative painting,which mainly introduces four areas,the modern home,the dress,the modern dining room and the relief.Which for the modern home and relief in these two areas are more comprehensive,the use of the method of example,from the perspective of the composition and shape of the decorative painting,and how to better use these areas to make a more detailed analysis.The fifth chapter is the design scheme of the work,which is divided into four sections,from the earliest scheme and the problems encountered in the initial design,and then to the problems in the medium term design,and the design scheme of the later period.I use illustrations of the way,for the work of the problems encountered and change the program,a detailed analysis.