"after" Hong Kong Film Narrative Aesthetics Research

During social transformation of “one country, two systems”, and the changesof local language contexts, the after-1997Hong Kong film directors rationallyabsorbed the spiritual ideas and thinking methods of Chinese traditional cultureand constructive postmodernism. This aroused the great changes of narrativeaesthetic system and aesthetic style from deconstruction, reshaping andreconstruction in Hong Kong films. It also promoted the after-1997Hong Kongfilms to form the narrative aesthetics with profound humanistic characteristics. Ithelped to propagate the inherent characters lying in the Hong Kong culture andLingnan art spirits. The films expressed the sacred mission of the Hong Kong filmdirectors tried their best for the self-redemption and self-healing of the humanbeing. This article aims to study the Chinese films including Hong Kong films,Taiwan films, mainland films and Macao films, and find a suitable way for thedevelopment and flourishing of Chinese films. And We also hope it can provide thetheoretical systems and samples for films in Chinese contexts.The main body in the article doesn’t limit in traditional theoretical analysis ontext interpretation, but adopt an open research method combined with culture,literature narratives, film narratology, art, philosophy, industry research, movieontology research, history research, comparative research, and category research,based on interpretation and study of Hong Kong films. Through the analysis anddemonstration on15years’ representative Hong Kong films from the Hong Kong’sreturn in1997, the article deeply discusses and interprets the narrative aesthetics ofthe Hong Kong films after1997. The first chapter in this article discusses the change of the narrative aestheticsof Hong Kong films after1997. First, it analyzes the shift of the humanisticqualities from Hong Kong films before1997to Hong Kong films after1997.mainly from two aspects: the first is entertainment qualities form Hong Kong filmsbefore1997，the second is the humanistic qualities from Hong Kong films after1997. Secondly,combined with the Hollywood movie the penetration of thedominant interest for further research. First of all,Hollywood film interpretation offurther research. First of all, Hollywood film interpretation of the values ofuniversal significance. Second, the analysis of Hong Kong films after1997narrative mode. And discusses the technology of form of art under the influenceof factors. Respectively form the readme type without focusing narrativeperspective.The second chapter in the article discusses the basic characteristics of thenarrative aesthetic of Hong Kong films after1997. First of all, the interpretationof the philosophical pursuit of narrative Hong Kong films after1997. On the firstplace, it interprets the beauty of humanist’ spiritual thinking in the secular life.Onthe second place, It analyzes the idealist’s thinking about life being. Secondly, theinterpretation of the life pursuit of narrative Hong Kong films after1997.Combined with the real life image and utopian dream hand in photograph reflect,and self, others and the world depth of interactivity interactive analysis.Andexplore artistic features of narrative of Hong Kong films after1997.Accordings toimages from the visal spectacle of retirement and human diversity reflected, andthe traditional culture spirt and the survival of faith together build focuses on human civilization.The third chapter in the article analyzes and interprets the forming causes ofnarrative aesthetics of Hong Kong films after1997, in the view of the reshapingand revival of the local humanity spirits. First, it interprets the humanity spirits ofHong Kong films integrated with Chinese traditional culture，the article discussesthe forming cause of the reality dimension of Hong Kong films’ narrativeaesthetics. Secondly, it interprets humanity spirits lying in the post-modernism,thearticle discusses the local transformation. Finally, the article discusses the formingcauses in the ideal dimension of narrative aesthetics in Hong Kong after-1997films, through the deeply interpretation of ideal humanity’s construction.