Chinese Experimental Ink Art Aesthetic Features And Its Causes

Experimental Ink, This concept was first put forward by the critic Huang Zhuan Wang Huangsheng, it is not specific to a particular type or style of ink painting, but refers to any attempt to go beyond the traditional literati painting and the creative framework of orthodox realism inkthe creation of new ink, or the creation of the new ink is marginalized at the time.Experimental ink painting since the1980s, the originator of the last century, after the mid-1990s, experimental ink painting began to emerge in the academic exhibition organized by the art institutions from national to local levels, academic achievement is extensive reference to the turn of the century, was significantlya diversified structure, continued to mature.However, although the exploration of artists and critics of the experimental ink has been to continue and deepen the growing number of experimental ink art exhibitions, as well as the study of experimental ink Commentary articles, but the historic construction of the monograph is relatively small, especially from its aesthetic characteristicsthe perspective of its systematic study is still blank.Select the aesthetic features of the experimental ink object of study, their causes more in-depth analysis.For the aesthetic features of Chinese Experimental Ink ", the author mainly from a comparative dimension, in accordance with the principles of the effect of history of Gadamer, select some representative works of the painter for image analysis, come to the Chinese experimentink art with the aesthetic characteristics of the following:(1) the external manifestation of aesthetic aspects, Chinese experimental ink art performance of the emptiness, the ink center, shape the way the composition of, the symbol of the significance of carrier.(2) the inherent concept of aesthetic, Chinese experimental ink art performance for the aesthetic ideal of secularization, the diversification of the aesthetic psychology.The causes of the aesthetic characteristics of the experimental ink art ", the author from both objective and subjective dimensions.Reached the following conclusions:(1) open the reality of context and the wide dissemination of modern Western art in China for the Chinese experimental ink art forms the aesthetic characteristics of the soil formation offers the possibility of the aesthetic characteristics of the experimental ink art.(2) as an artistic creation, the main experimental ink painting artists in China’s modernization, life experience, life experience and reflection on the present experimental ink art forms the aesthetic characteristics become inevitable.(3) in public contexts, as to accept the principal of the public, the aesthetic needs as well as aesthetic changes in the way the aesthetic features of the experimental ink is indelible.Chinese experimental ink art in modern and contemporary painting in the process of exploration and development, confirmed the possibility of the ink carrying value of local culture into the present. Systematic analysis of aesthetic characteristics of the Chinese experimental ink art and its causes, how it kept pace with the times, is expected to ink space to expand in future as well as other local non-ink into the world of the forest while maintaining its cultural identity providesthe light of the revelation and minds.