Brief Analysis Of The Romanticism Oil Painting Of The Dissemination And Development In China

As a kind of creative methods and artistic style, the Chinese romanticism paintingwas produced in the prehistoric culture of the painting, and remained in the mysteriousrock paintings and pottery artifacts of the prehistoric neolithic age and the prehistoricpaleolithic age.Chinese oil paintings first appeared in the spring and autumn period and thewarring states period. The people of Chu called the painting mixed color by oil as "oilpainting", which is characterized by the painting murals and the painted wood products painting.The Chinese romanticism paintings were generally produced in this period. They canhardly proved by culture relics today but from the words "the wall asked the day", fromromanticism poet of Chu, Qu Yuan, we can still appreciate the great imposing manner ofthe Chu’s minister from its "the aritical and paintings on the palace wall". FromGukaizhi’s Ode of the Goddess in Luo, we can review the lasting appeal that the peoplefall in love with goddess. Along with the Apsaras in Dunhuang grottoes, the amazingdeer with nine colors, it seems that we have come to the nirvana of the pleasure withgod.According to the western definition of romanticism painting in China, it is thepainting created by artists who studed in Europe in the early20th century and spreadedand developed after the May4th Movement, represented by Lin Fengmian’s Human’ssuffering and Xu Beihong’s The lion and the slave. After1933, Mao Zedong’s aestheticthought as the core concept of the romantic painting in China got rapid development,characterized as the combination of revolutionary realism and revolutionaryromanticism. It does not only represent the artists’ concern of the real social life, butalso express people’s the pursuit of the dream and passion.The painting in China combining revolutionary realism with revolutionaryromanticism. It depicts the influential figures and events in the revolutionary war andthe national construction, and became the mainstream painting in China after1933.Immortal masterpiece of paintings are Dong Xiwen’s Founding ceremony, ZhanJianjun’s Langyashan five heroes, Luo Gongliu’s Comrade Maozedong in the Jinggangmountain. Liu Chunhua’s Chairman Mao went to Anyuan, Chen Yifei’s The occupationof the presidential palace，Xujiang’s1937.12.Nanjing and so on.This article proposes an objective, complete and fair evaluation by analyzing the artistic features of the Chinese romantic art, the forming reason of those characteristicsand the works of important artists, especially to reveal the research result about theimpactof the romanticism painting for Chinese painting.Of course, to explain the spirit world of romance is difficult while exploring theextention of ideal world of works is very charming. As academic circles pay more andmore attention to China’s romanticism art in this area. it is of great practical significancein reviewing and inheriting the create of Chinese oil paintings to study Chinese painters’oil works and the spirit world they creates, to analyze social root of their special period,to discover their inner spiritual elements, and to explore the psychological elements inChinese romanticism paintings.