The Identity Authentication In The Imagination Of Nation-state

Chinese immigrants film through cultural and ideological choice, occur inspace-time span heterogeneous culture, is a reflection of those who are in two or morethan two kinds of heterogeneous cultures in the values, outlook on life and worldthrough contradiction, confusion, confused in normal life, its essence is the choice ofculture and identity authentication between country and country, region and region ofimmigrants."Immigrants", move namely population across the region, and in generalthe more refers to migrate to other countries outside the home country or region andlong to live in a foreign country, moved to engage in livelihood economic activities, andbe subject to the local social obligations of individuals or groups. The "cross regionmoved between" means Hongkong, Taiwan area and the mainland population migration,and the "transnational" mainly describe experiences between China and Southeast Asiancountries, American immigration. With the development of the last century at the end ofcolonialism and cultural criticism, more and more scholars begin to mix with theidentity about globalization in culture and identity, the category of "mainstream researchDiaspora" gradually into the literature and art.More and more Chinese director began to pay attention to and the construction ofhumanistic value contains the immigrant culture conflict in the deeper, more delicatestrokes trying to restore the true life of immigrants panorama. With the continuousdevelopment of global economy, the country and the country, nation and nation, andbetween different cultures and cultural exchanges, economic exchanges become moreand more closely, while at the same time, present the contradiction conflict in differentregions in the cultural fusion and also highlights,"immigration" as the native andimmigrant between the "marginal groups", bear the different cultural hybridity,including local customs and practices, values and ideology, etc.. In the contemporarydiversified social trend, they are the cultural exchange of the avant-garde army, moredirectly exposed to foreign cultures, in this process, the immigrant experience providesa unique cultural perspective to re-examine the meaning of "homeland", at the sametime to nostalgia as a link to the home consciousness are more likely to rise to the nationsense of imagination, this is particularly prominent in the transnational immigrantpopulation experience. In the transnational immigrants living Chinese cinema, both for the immigrant experience writing in a foreign country, or to theimmigra tion familyethics barriers to reproduce, are more or less with some helpless color, even with aparent family civilization from the pain and thrown into the cultural gap area ofloneliness, however it is this "crack" state perspective, to add a lot of culturalimagination for Chinese immigrants film, it gives the subject the privilege ofimmigrants in the film, the dual cultural identity which has a double vision to look uponthe state and thinking of meaning, identity authentication and so on, but not in bondageto a particular ideology. In.