The Aesthetic Tendency Of Chinese Modern Fairy-tale

What this paper investigate is based on Chinese modern fairy-tale(1919-1949),inorder to discuss its aesthetic characteristics from two aspects of creative practiceand theory.There were had on fairy-tale in ancient China on the surface,but we arehaving it in fact. Through the combing analysis of Chinese classical realism literature,to find out the origin of fairy-tale in China,Clearing the development course of it.Fairy-tale was introduced in the modern,and developed to mature at the same time.So“the Modern” is meaningful for fairy-tale.This paper focus on the creative works andimportant theories, looking for the aesthetic tendency of Chinese modern fairy-talethrough the analysis of Ye Shengtao、Li Jinhui、Zhang Tianyi、Guo Moruo’s worksand Lu Xun、Zhou Zuoren、Chen Bochui’ theory.