The Music And Music Institutions Of Wei, Jin&South And North Dynasties

The Wei, Jin&South and North Dynasties period, frequent wars, social unrest, stop closed clans economy obtained the full development, the aristocratic family boarded the stage of history of the ruling class, in this case,"natural inaction," for the purpose of the Zhuangzi thought up, as the Han ruling thought Confucianism was attacked and challenge, the Wei Jin Southern and Northern in the fashion of the times referred to metaphysics. In this context, Ji Kang with a" sound without dirge on" the natural view of music, emphasizing the sound to be artificially give moral significance completely out to restore its true nature, and recognition, voice and all things natural beauty.In the study of ancient Chinese music history, gagaku and folk music competition has been an important research subject. Since Zhou Dai, the ancient Chinese music can be divided into two components, namely:the occasion for suburbs temple music and the relatively popular in folk music. With the dynastic change, on one hand, most parts of gagaku has lost in the war, one the other hand, folk music is booming and flourishing. The Wei, Jin&South and North Dynasties is not only a national fusion period, but also a period of the music communication. With the frequent South-North exchanges and communication between China and foreign countries, the period of Wei, Jin&South and North Dynasties can be rated as a unprecedented active time of music development. Further, the music of the period, is not only exist in the form of gagaku and popular music relations. There are minority music and Han music relations, foreign music and Chinese music relations and other issues.In Ji Kang natural theory of music drive below, on the other hand, because the gagaku self-ossification decline during The Wei, Jin&South and North Dynasties, the folk music development is very active, so that the music to its constant reference, formed a folk music into the elegant characteristics.The Wei, Jin&South and North Dynasties accept all kinds of cultures,such as minority culture, Buddhist culture, and foreign culture.SO the music development of these period shows a lot of diversities.This paper is divided into seven parts:the music system of Han, the restoration of Han’s gagaku of Wei Jin dynasties, secular and Buddhism into the Northern Dynasties’music, Hu Han music of South and North Dynasties, on music institutions, on contributions of music and music communications.From brilliant period of the Western Zhou Dynasty’s gagaku, The Wei, Jin&South and North Dynasties’gagakus absorbed folk music’elements, that is the main point of this paper.