The Combination Of Technique And Aesthetic In Second Creation About Performance Art Of Chinese Bamboo

China’s bamboo flute performance art, has a long history. Flute originally only as a musical accompaniment, until after the founding of New China, the only Chinese flute master, Mr. Feng Zicun flute solo form onto the stage. From this time onwards, the flute as an independent art form into the music of the big family of the Chinese family name. From this time onwards is, there are a large number of excellent flutist, adaptation and creative artistic status of a large number of lay flute music classics." Spring to Xiangjiang River " is one of them.With the development of the flute art, flute played in the second creation problem is becoming an important issue. Second creation in the art of bamboo flute, not only of great significance for the bamboo flute played Art is the practical problems faced by performing professionals in the actual performance. In this paper, flute solo " Spring to Xiangjiang River " for example, shallow to talk about the combination of the second creation techniques and aesthetic problems.This article is divided into four parts to explore.The first part, Introduction of the " spring to Xiangjiang river " creative background, analysis of compositional techniques and musical form of the structure.The second part, introduces and contrast various famous played "Spring to Xiangjiang river" version, as well as a summary of the characteristics of each played.The third part, aesthetic guidance in the second creation described in Chapter IV of this paper.Part IV concludes. That in the second creation, technique and aesthetic complementary techniques to guide selection of aesthetic mood this point of view.