A Study On The Madness Images In The New Era Drama

since the new era, China’s political, economic cultural, has undergone major changes, Chinese society is moving towards modern society. At the same time, the madness image in the new era drama frequently appeared, for example, In1980s,the RenMiao in the drama "genius and madman", the Gouerye in the drama "Gouerye’s Nirvana" and The Qingnv in the drama "Sangshuping Chronicle" and so on. In1990s, the Sanye in the GuoShihang’drama "bird man",the madman in the drama"Accidental Death of an Anarchist",the MaLu in the drama "The Rhino in love" and the Mystery man in the drama "The Cuss", etc. All these madness images was a special characters in the new period drama, why they are so frequently appeared? whether they have a change follow the transformation of the social and the cultural? This paper will explore the problem.In this paper, we will be summarized and classified the image of madness in the script of the new era. we are investigate the shift of the image of madness in the new period drama which was combined with the Changing times, the social cultural value orientation. In this process, we also explained the reason why madness image shift. Finally,the significance of the madness image of literary history were explored that from the two aspects of the madness image that is the critical spirit and the aesthetic implications since the new era.we hope to describe a integral, comprehensive style and features about the madness image in the new era drama.In short, the madness image in the new period drama, which were changed with the social and the social cultural values orientation tranformation. First of all, the spirit of enlightenment possessed by the madness image has widely descreased. The dramatist has created the comedy spirit and the absurd color of the madness image, make the madness image with banter characteristics, in order to critical social and caters to the audience tastes. In the process to explore the significance of the madness image of literary history in the new era drama,we also find that the critical spirit of the madness image in the new era drama has historical origins. The madness image in the new era drama,which about the mixed and stereoscopic characters was highlights, the identity theme was writing endless stream,performance techniques and dramatic structure was innovatived and the language was irony,all these to some extent to expand the madness image aesthetic implication.