The Aesthetics Of Ugliness Carnival Of Chinese Contemporary Avant-garde Novel

With the anthropocentrism has been questioned and the traditional aesthetics has been collapsed,ugliness becomes one of the main trend of modern aesthetics, modern literature practice and research.In the modern and postmodern context, issued a protest to the traditional aesthetics of ugliness in aseparate, distinct attitude, to a fully conscious, produce complete break with traditional literature, negativeand negative factors ugly contains, caused the human soul tremor, causing the human thinking about theirown challenge and development. From "aesthetic" to "Ugliness", is a revolutionary process, ugly birth sothat people in the aesthetic field of vision has been expanding and extending, the more valuable is, the richand colorful in the perceptual world outlook show out, human aesthetic ability has been improved, forbeauty feeling richer, for the life and understanding is also more profound.In China, the development of market economy has brought the era of aesthetic changes, coupled withthe modern western literary theory into, in the late nineteen eighties, literature emerge Ma Yuan, Ge Fei, YuHua, Can Xue, Mo Yan, Su Tong and other pioneering nature of the young writer, they are creating contentand language, the form of the traditional aesthetic principles thoroughly thoroughly rebels, to challenge thetraditional literature to the highly rebellious attitude. A large number of full of morbid psychology, violence,death, the indifference of the works on literature in good taste, noble and aesthetic of traditional literaturewas completely subversive.This paper not only from the point of ugliness to Chinese Contemporary Avant-garde Fiction from theperspective of income, but also deeply analyzed new lofty aesthetic meaning of literature appreciation ofugliness is. The first chapter focuses on the study of the process of globalization on the pioneer novels,based on the analysis of influence of Western modernity, postmodernism, carding the process of ugliness inChina and West, dig deeper into the social background and ideological origins vanguard novel appreciationof ugliness. The second chapter combining with the main works, type the ugliness of pioneer novel fromthe human nature ugly, ugly, ugly form three aspects of language. Focus on the analysis of the writing byugly human care, show the real side of human nature through the madness, violence, lust. At the same time,the language style and creative forms which are novel pursuit are discussed. In the third chapter, value andsignificance of the vanguard novel aesthetic has been combed. Construction of aesthetic category complete from the perspective of aesthetic consciousness, from the aesthetic utilitarianism system involving attentionliterary value and function of appreciation of ugliness, catharsis aesthetic pleasure with the unique charm ofaesthetic defamiliarization. In the fourth chapter, based on the reflect limitations of the vanguard novelappreciation of ugliness, make a expectation of the future state of ugliness. When the ugly past, futuresociety will usher in a new era of beauty and ugliness with.The Chinese contemporary vanguard novel of the ugly, reflecting on the traditional consciousness andthe reality of social criticism and negation, especially if theorem of ideological system. Thus, althoughfrom a practical perspective, ugly is not suitable, irrational, but from the future perspective, ugly is thedriving force for the development, construction of new ethical power is new, the future. Heal the emotionaland rational, rational and irrational fissure, find a fusion road between the great tension between the two,perhaps is the route one must take the future Chinese aesthetics and aesthetic, aesthetic and uglinessblending will establish a complete aesthetic consciousness.