On The Orient Temperament In The Art Of Painting In Bonner

French Nabi painter Pierre Bonnard’s painting with a distinct orientaltemperament. Orient painting, Bonnard not only found the screen formal plane,decorative, solid color use, as well as the composition of the two-dimensional space,the screen cut and whitespace handling and performance, but still deep spiritualareasand ideas with oriental painting similar pursuit: for instance screen mood,subjectivity, and so on. Bonnard put these Orient elements into his own picture toconvey his feelings and real life, so as to stimulate the existence and formation ofBonnard’s painting oriental temperament.Bonnard is not a simple imitation of the oriental painting, nor is select theoverlay elements with their own painting, but the convergence of their feelings andlove for nature, to create a new language of painting and form, to make their ownpaintingrich Orient artistic temperament, which Bonnard painting highly distinctivepersonal style in the Western art world, and his paintings have a unique orientaltemperament that the tab of “Bonnard”. I studied Bonnard emotional perspective todepict the most mundane of daily life, showing the pursuit of the spirit of Seeing,nearly see far in painting reflects the strong vitality! Thus gives me inspiration: theother hand, Chinese oil painting, while understanding and learning of Western art,Chinese artists should adhere to the national spirit, adhere to self. Vitality and spiritof the Chinese nation and Artistic Conception of the temperament,that to play to thecreation depicting oriental temperament. In addition, the lack of emotion and arousepeople’s passion in our screen. We need the experience of emotional self, into her own inner subjective feelings into the picture in.Mainly through the five sections in this article discusses.the first partdiscusses the analysis and elaboration of Bonnard painting in the background andreasons for the formation of the Oriental temperament, the law of historicaldevelopment, social environment and background painter personal factors of threeparts. The second part discusses the Oriental temperament embodied in the conceptof painting, the third part embodied in the form of write painting orientaltemperament, the fourth part of the art of the predecessors and successors, comeBonnard oriental temperament summarized, the fifth part of Chinese oil painting theother hand, and the revelation of our own creation.