Analysis The Image Transformation Problem In The Context Of Contemporary Chinese Oil Painting Creation

Today’s social development has entered an information era "image","picture era",refers to the cultural patterns era dominated by the image culture. In this era of greatinfluence on people’s lives. With photography, television, film, advertising, newspapers,books, Internet, and many other image as a characterization of the rapid developmentof social media, accompanied with a lot of visual symbols to enter and start to affectour daily life. People through the images and image transmission between thecognitive and communication with the world. In this world is converted to images, allsocial existence of visualization or visualization has become a trend of The Times now.Such an era of full of image and rely on is called the "picture era", or "map readingage", also have called "the era of visual culture","landscape era" and so on. So it isalready a PuHua "map reading age". In such an image in the influence of social changeof people’s life, the picture began to appear, western philosophy to the "image" ofsocial widespread attention, resulting in a large number of research results about theimage study. In this great historical and cultural change, to generate the context ofcontemporary art, contemporary art is in essence a kind of concern social and culturalreality, focus on human condition, and adhere to the moral position of intellectuals artis emphasized. So in the highlighted image realistic meaning and cultural meaning ofcontemporary art creation process has begun to be affected by various image concept.So what about the concept of "image" come from the contemporary oil painting how tochange the image in the context, why is now a clear in contemporary painting strangeyet familiar visual perception, the vision is what meaning, and its art direction affectedafter a number of artistic creation, to become the development of Chinese oil paintinghave to talk about the problem.So this article tries to illustrate from the following two aspects to the era of imageoil painting creative thinking: The first part of the definition of image. Several explanations about imagedefinition mainly expounds the basic concept of "image" in the question, and forordinary "image" of the concept of specific points to made a definition.Second part surface was analyzed in view of the image in the development ofsociety, from the original social function and image performance carrier developmentshows that "image" in the history of the development of the social significance ofexpanding with the concept covers.The third part is to emphasize the importance of building-structure "image",through the above the image development process, the performance of carrier imageproduced by a change in the composition of the meaning expansion, including theimage of the social significance, practical significance and historical significance andaesthetic significance.The fourth part is in the context of contemporary art of Chinese oil painting in the"image" expand covers the significance on formation of secondary interpretation andcreation of works of a detailed analysis of Chinese contemporary oil painting and itsartistic significance of image conversion issues. Through for a "new generation" andthe phenomenon of "new humans" oil paintings creation background analysis, certain"image" in the context of contemporary oil painting language is of positivesignificance, and later appeared in the process of development of specific issues.The fifth part is epilogue. Conclusion in Chinese contemporary oil painting in thecreation of problem are summarized and put forward his own thinking on this issue.