Adaptive To It’s Optimal

"Adaptive its relevance" refers to abandon the utilitarian free pleasure, thepleasure of a harmony between man and nature. This ranking can travel free pleasureis a basic grasp of the ancient Chinese aesthetics aesthetic pleasure. The concept ofaesthetic pleasure is in an area where the aesthetics of Chinese art, his thoughts inthe form of creation of the artist’s aesthetic value can not be ignored. This paperelaborated on of Ni Zan painting aesthetics, analyze this concept of aestheticpleasure, and evidence of its of Ni Zan painting aesthetics. It is the life of the spiritof Chinese art. This paper, from a philosophical point of view and Study of Ni ZanPainting Aesthetics adaptive suitable inner meaning of the "concept of aestheticpleasure and external manifestations. From painting schema and aesthetic thought,from the point of view of sociology and cultural studies, will be the Ni Zan paintingfurther explore the significance of the cultural history. This article first chapterexplores the the Ni Zan personal life their special social background, personalitycultivation, elaborate ideas and characteristics of its painting aesthetics supportinganalysis. For second chapter Aesthetic Thought and to suit different needs of therelationship between the "concept of aesthetic pleasure to pave the way, to the ideaof Confucianism, Taoism and Zen three research and analysis from to suit differentneeds and aesthetic thought intrinsically linked. The Chapter "Adaptive itsappropriate" for the aesthetic pleasure in the Ni Zan painting schema of meaning.Three major directions: First, the characteristics of Ni Zan landscape painting, morein-depth study of the course of development of the of Ni Zan landscape schemata.Analysis to understand the spirit of Ni Zan painting pen and ink the Ni Zanlandscape painting style of painting features. Ni Zan landscape painting in itsconcept of aesthetic pleasure, a concrete manifestation of deeper elaborate analysisof the elements of its landscape in the schema, the evidence "since to suit differentneeds painting schema of specific performance. Chapter "adaptive fitness" thisaesthetic pleasure concept with Ni Zan aesthetic thought to the dialecticalrelationship of philosophy in the contact. Trying to supporting analysis of theintrinsic link between them, is not contrary to the conflict. Final chapter by the elaboration of the Ming and Qing painter influenced by Ni Zan analysis of the of NiZan painting aesthetic value, thereby On triggered by the research to think forthemselves.