In this paper, Song, Yuan, Ming and Qing dynasties scope of the study, the evolution of the ceramic vase shape of the object is expanded. Use of philology, image, archeology and other research methods, the outside to the inside of the ceramic vase shape. The the ceramic design point of view of the impact of these four periods ceramic vase shape the development of social and cultural background, the aesthetic of public life in-depth research, analysis, aims to explore these four periods ceramic vase shape characteristics, the shape of the design rules, function transformation and reason. |