Research On The Modeling Of Gall-bladder Vases In Song Yuan Ming And Qing Dynasty

The name of "gallbladder bottle" has been widely spread since the Song Dynasty,but also because of its elegant shape,concise lines,and filled the abdomen with water,repair the neck branches,small mouth close flowers,become the Song Dynasty and later literati in the Qing Dynasty in the model.To this day,It is not only the classical instrument in the Chinese ancient ceramic modeling,but also the important carrier of the design interest of the past dynasties.In this paper,based on design,qualitative research,case and comprehensive research,graphics,archaeology and other research methods are used to comb the origin and characteristics of gallbladder bottle modeling from Song Dynasty to Qing Dynasty.Considering the historical and cultural background,technological materials,aesthetic fashion of these four periods,the local changes and overall modeling of these four periods are compared and studied deeply.The purpose of this paper is to reveal the law of its shape evolution and design aesthetics.This paper holds that under the influence of the popular life style of "sitting with feet",the growing variety of ceramic paintings,and the design ideas from "carrying the Tao by the device" to "using the body and the way of the body",and so on,The integral modelling of the bladder bottle The design style has experienced the change from bone strength and elegance to grace and beauty.From its contrast and coordination of linear shape and vivid modeling force,practical function and aesthetic function,This paper further discusses the beauty of shape and function of the design of gallbladder bottles in Song Yuan Ming and Qing dynasties and reveals its design aesthetics in order to provide some references for designers in the design of modern house ceramics.