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Pastels Born "Flower"-the Contemporary Oil Paintings Of Female Flower Theme Stud

Posted on:2014-02-19Degree:MasterType:Thesis
Country:ChinaCandidate:S HouFull Text:PDF
GTID:2255330401967653Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Since ancient times, the flower in a good image exist, is one of nature’s most beautiful spirit.Chinese classical literature of feeling in the thing, flower metaphor woman also seems to be the tradition ofliterati painters:" beauty "," as pretty as a flower ", we often think of women’s intuitive feelings firstly. So,Woman such as flower, flowers like woman. Common between women and flowers, so that more femalepainters to paying attention to this theme of flower. Through their own unique, different from the maleperspective, the flowers as a small theme, it is deduced brilliant purples and reds gorgeous appearance intheir works, show the vicissitudes of their lives.The first chapter is about the aesthetic morphological characteristics of flower respectivelyexplained both from natural flower and floral cultural connotation.The second chapter is floral morphology as the focus of the paper: discusses the concretemanifestation of contemporary female painters about the flower theme, and presented various forms ofartistic expression. Respectively from the poetic imagery express, random coloring of graffiti,"variation"flower of self-admiration, take the "flower" alternative blossom, borrow flower offer love, expand theartistic form of language, and amplification of life charm. These aspects described that the contemporaryfemale artists on the performance of the flowers. This section will be combined with a large number ofrelated works are demonstrated in the paper, in order to better present the female painter’s attitude of "allflowers bloom together."The third chapter is the language of flowers: it discussed that female oil painter with the help offlowers this natural thing read their inner monologue. From the traditional Oriental culture plots, womeninner temperament to the feeling of individual life, these three aspects elaborate their true nature.The fourth chapter is the charm of the flowers: the main point is contained in the works ofcontemporary female painters’ value. It consist of enriching perspective of look at the world, promoting theawareness of female artists, creating a new way of thinking and new meaning, and the new category ofcritical reflection. Certainly, their own not to achieve more discourse right unless constantly struggle in thefield of art. Female artist for the performance of flowers are fleeing the traditional image correlation, lookingfor and mining new female perspective, in order to show them as women’s emotional awakening andemotional release. Here, they are no longer the traditional female, but the modern women who are freeexpression of personal feelings and talk heart in art. Finally, the development of contemporary female artwill need to fully realize that the uniqueness of female art, the independence of female subjectconsciousness is important.
Keywords/Search Tags:flower, women artists, aesthetic consciousness, female perspective
PDF Full Text Request
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