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Mongolian Traditional Patterns Constitute A Form Of Research

Posted on:2014-06-05Degree:MasterType:Thesis
Country:ChinaCandidate:J ZhaoFull Text:PDF
GTID:2255330401976946Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Different nationalities, history, geography, religion, way of life constitutes the different customs and culture, formed a colorful with distinct regional characteristics of national traditional pattern. This cultural heritage reflects the different national material and spiritual pursuit, and through this form of art reflects the people’s way of life and aesthetic complex, promote national art.Mongolia traditional patterns in various forms, has a long history, has a distinctive ethnic characteristics. Rich and colorful form reflects Mongolia people’s feelings of life, love and hate and desire, store valuable knowledge, emotion and technology. With the development and progress of society, the grassland culture has become a wonderful work of Chinese art in the system become an independent school. As a reflection of Mongolia people live rich decorative pattern, regardless of the form of art or philosophy reflects the present all embody the distinctive ethnic characteristics, has the very high artistic achievement, is an important part of the culture.In Mongolia respect for Buddhism, without showing a deeply religious worship the decorative pattern. This kind of worship has become the basic philosophy of Mongolia construction group. The common people day of worship thought, which pays more attention to the whole nation the dignity of living, pay attention to national character statement. The traditional pattern of performance, in its ancestral memory, past, followed the traditional description, storage of various forms of culture, are fully expressed their desire to pray for a happy life and advocating religious psychology.Prairie culture is the essence of Mongolia traditional pattern. Unique grassland culture of this ethnic group formation in Mongolia in term of the nomadic way of life, the basic spirit of this culture is advocating natural, free, hero worship. This is the basis for the development of Inner Mongolia folk art. In this foundation, formed the aesthetic point of view, the artistic features of the unique Mongolia.Mongolia grassland culture as main inherited grassland culture spirit. It is this spirit that led to Mongolia’s unique national character and aesthetic pursuit, the formation of the traditional cultural symbol system Mongolia group. These symbols, patterns, text, painting, artifacts and morphological characteristics of visual patterns formed in the long life of the people and the psychological accumulation, with national property is obvious. This attribute by culture materialized form and carrier, the formation of the dissemination of information is common, especially in the modern society more displays distinctive cultural attribute and function.Mongolia traditional pattern formation and national culture, folk customs, religious beliefs are closely related, it manifests its unique artistic effect through the shape, proportion, scale, color, texture and decoration etc.. In-depth analysis of the form of the national culture and spirit behind, the application of Mongolia family patterns and reengineering to lay a solid foundation of aesthetics and vision, making the Mongolia traditional patterns to better promote regional characteristics.
Keywords/Search Tags:mongolian, traditional patterns, grassland culture, formconstitutes
PDF Full Text Request
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