Study On Oil Painting Language Of Mongolian Painters In The Background Of Grassland Culture

The Mongolian oil painting creation is striking with its distinctive features.Both the subject matter content and the expression form reflect the unique and distinctive regional culture and national characteristics.Mongolian culture and art continue to integrate the outstanding cultures of other nationalities over a long historical accumulation and gradually condense their own "nomadic culture" and "grassland culture".This is an ecological cultural expression based on nomadic life and production methods.In this cultural background,a group of Mongolian oil painters and oil paintings with grassland theme as the main topic have emerged.While expressing the regional characteristics of the grasslands,the Mongolian oil painters blended into the national spirit and emotions.They viewed and understood everything about the grasslands from their own unique angles,and showed their richness through unique creative ideas and changing techniques.Mongolian oil painting language.In the topic selection,contemporary oil painters TUOMUSI,SHAJIN,and BO·ASIBAGEN are taken as the main case study clues to explore the artistic development process,artistic language characteristics and creative ideas of Mongolian oil painters in the context of grassland culture..The true feelings and feelings of the Mongolian oil painters for nature and grasslands express their unique ideological concepts and regional characteristics,which contains the most traditional ecological culture and national spirit,which also laid the foundation for the development of Mongolian culture and art.This article mainly studies the concepts and characteristics of the grassland cultural background and the painting styles,aesthetic characteristics,national colors and other painting languages of the Mongolian oil painters,and analyzes the current status and development of the contemporary Mongolian oil painter groups.The research and analysis of language allows more people to understand the artistic form and spiritual connotation of contemporary Mongolian oil painting creation.