Research On The Popular Tragedy Complex In Poetry Of The Han And Wei Dynasties

Grief and tragedy are important concepts in the system of Western aesthetictheory,but in classical Chinese literary theory,has no clear concept of the"grief",however,in the theory and practice of Chinese classical literary and artisticcreation,there has been a popular tragic complex. The generation of this complex canbe traced back to ancient times.This tragic complex in Chinese classical literature andart, has a rich cultural and historical connotations,it has a deep and close ties withmany factors of the age-specific social culture, philosophy and background. Han andWei dynasties as a important key points in Chinese literary development history, itreflected in the shift of literature no intention of showing " tragic " to intentionallyemergent " tragic ". In this paper, Han and Wei dynasties poetry as the research object,detailed research the performance of tragic complex in Han and Wei dynasties poetryfrom different levels. The paper is divided into four parts. The first section is thetragic of time and space in the Han and Wei dynasties poetry,the main exposition aretwo levels of grief which are life consciousness and view of life and death, cosmologyand the harmony between man and nature, Explore the tragic complex in Han and Weidynasties poetry from the point of view of time and space.The second section issuffering sorrow of life in Han and Wei dynasties poetry, including sense of urgencyand people’s livelihood is a hard way,literati’s underappreciated and aspirationsblighted two parts,from those to comb all the suffering and sorrow of life, survival inthe face of common people and literati in Han and Wei dynasties. The third section isthe tragic of people’s feelings in Han and Wei dynasties poetry, including family,friendship and conversation poems, deserted wife and tragic of love and marriage twoparts,to express the beauty of the emotional tragedy on Han and Wei dynasties. Theforth section is sadness imagery in Han and Wei dynasties poetry, including wind imagery,bird imagery, frost imagery,grass imagery,cloud imagery five parts.To exploremelancholy beauty features. From the tragic complex perspective look at Han and Weidynasties poetry, makes the tragic which contains a little bit of the present, in order tobe able to better interpretation of the tragedy beauty in classical Chinese literature andarts theory to gain a foothold theoretically.