Analysis Of Mendelsohn’s <The Piano Concerto In G Minor> Of First Movement

Mendelsohn was a great German composer and conductor, he is known as "music childprodigy", from childhood to accept music education very professional, and created a numberof code in the world. The traditional idea of his writing is full of the classical period, but alsorich in the romantic period of free personality, is a collection of classical and romantic bigwinners. Mendelsohn wrote many excellent works, which relates to the subject matter is veryextensive, such as his piano pieces "Songs without words";"Scotland Symphony Symphony","Italy Symphony","A Midsummer Night’s dream"; he arranged and played Bach’s "MatthewPassion"; Violin Concerto "Concerto in E minor" etc..Based on Mendelsohn’s Piano Concerto in G minor is the main object of study, although hisPiano Concerto No "Songs without words" and other works of visibility, spread wide andstrong, but through careful research and literature on the music of the survey, as well as theauthor from the actual experience of playing himself, found this song the piano concerto wasstill can show Mendelsohn has in the music creation of the inheritance and innovation, so thispaper will be from different levels and the starting point of his piano concerto.This is a song written by Mendelsohn in his early work, inside with his creative characteristicsand styles, and into his unique spirit of innovation, such as the concerto cancel doubleexposition to display in the original single, cadenza due to the piano solo and orchestralaccompaniment the important part and so on.This article from the life of Mendelsohn, his creation style, Piano Concerto and musical formanalysis and performance analysis, and Mendelsohn’s innovation from the aspects of. Eventhough his concerto no other works as well, but I hope that through this article, can makepeople re-examine his Concerto, and give some attention.